Over in the New Statesmen, Ed Smith makes the case for increasing your productivity by making sure to get your R&R. He mentions Bertrand Russel’s In Praise of Idleness, which is my go to piece for arguing with myself against being too busy to argue with myself. Or would be, if only I could find the time.
Chilling out is good for society.
Writers on Politics
For 3:AM Magazine, English writer Joanna Walsh gathered other writers’ thoughts on Brexit. “Brexit is a nightmare from which I am trying to awake,” said Ali Smith.
Writing About Suicide
Recommended reading: Philip Connors, whose memoir All the Wrong Places was included in our 2015 Book Preview, writes for the New Yorker about his brother's death and the problems with "cathartic" writing.
●
●
The Novel vs. The Net
Sven Birkerts, still working through arguments begun in The Gutenberg Elegies, suggests in The American Scholar that "the novel and the Internet are opposites." (via)
Double Sided
Two ways of looking at a book: "Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page."
Billy Pilgrim Is Unstuck
"How can a horrific event, so monstrous it seems incomprehensible, be told? How does one even find the words to write about it?" For The Paris Review, Matteo Pericoli takes a look at Slaughterhouse-Five and the bridge between fiction and architecture.
●
●
Dispatch from South Asia
The summer issue of 91st Meridian is out, featuring new translations from Hindi, Bangla, Urdu, Tamil, Punjabi and Malayalam. For more literature in translation, check out with this Millions essay about translators at work.
●
●
Six Plots
We are all by now familiar with J.K. Rowling's elaborate, hand-drawn outlines for the Harry Potter series, but what if all plots could be simplified further? Down to, let's say, graphs? And not even an infinite number of graphs, but just six? The Paris Review considers the work of Matthew Jockers, a literature professor who studies “the relationship between sentiment and plot shape in fiction.”
●
●