“Enjoy your dirty money. You will never have anything else.” And other things William Burroughs’s wrote to Truman Capote. There’s a bit more backstory over at RealityStudio, though the letter stands on its fearsome and indignant own.
At the Philadelphia Inquirer, neurologists look at cases where serious brain injury has actually brought about higher levels of creativity in artists, particularly where linguistic ability is harmed. “Language is the bully of the brain,” [one neurologist] says. “It takes up its own space and if something else gets crowded out, too bad.” (via Book Bench)
At The Morning News, a wide-ranging conversation with the writer Philip Graham, most recently the author of The Moon, Come to Earth: Dispatches from Lisbon. Included is his account of getting a story into the New Yorker off the slush pile, and a footnote touting The Millions and other online literary venues as places to find great book recommendations.
“Every writer needs an editor, and anyone who says he doesn’t has a fool for a muse.” The New York Times interviews journalists on the importance of editors, and it’s well worth the short read. Pair with our own Edan Lepucki‘s conversation with her editor.
A new MOOC from the University of Iowa’s International Writing Program is scheduled to begin on June 28. “How Writers Write Poetry” is free and open to the public, and it will feature craft talks from poets such as Robert Hass and Kwame Dawes. A fiction-writing course is also scheduled for September. (Related: Read how several Iowa MFA students describe a typical day in the program.)
Reddit users asked one another to name their all-time favorite poems. Not to be outdone, Poetry Brain asked its Twitter followers to name their all-time favorite poems… to read naked. Since I imagine the latter group is usually only able to read in the buff while at home, I bet they really lament the 2001 demise of Harvard’s “Phone-a-Poem” feature.