Sarah Weinman has compiled a list of verified literary Twitter accounts on her blog.
New out this week is Gryphon, Charles Baxter’s new collection of stories. Joseph McElroy also has a new collection of stories out, Night Soul. The latest McSweeney’s (featuring that fragment from an abandoned novel by Michael Chabon) is now available, and new in paperback is Peter Carey’s Parrot and Olivier in America. Many more new books to look forward to, of course, in our massive preview published last week.
As the publication date nears for Robert Caro’s latest Lyndon Johnson installment, The Passage of Power, it’s a good idea to brush up on your history of Caro’s career. Enter Charles McGrath and his great portrait of one of the most prolific biographers of all time.
“I began to wonder: what would a manifesto for bad poetry look like? Would it differ either superficially or deeply from the art’s graver manifestos? It really wouldn’t have to. It would merely have to persuade, and persuasion sounds very much the same whether it is honest or dishonest. If it was any good it would hold great attractiveness as a snappy piece of writing, but, if followed, it would be certain to produce bad poetry. Some harmless sophistry. In this it would be more effective than any positive manifesto, because, if guided well, no-one who sets out to write a bad poem is going to accidentally write an excellent one.” Erik Kennedy lays out a manifesto for bad poetry, titled “Precepts for Perfection in Poetry,” for The Rumpus. For a counterpoint, pair with our own Nick Ripatrazone‘s look at very good and very sad poetry, “The Saddest Poem Ever Written.”