My piece in memory of novelist and rapier-tongued pundit Gore Vidal, who died Tuesday, appears on Prospero, the online arts & culture publication of The Economist.
Appearing Elsewhere
Break-Up Letter
“Did not really sleep: no Xanax / yesterday, which means I won’t sleep, / then the next night is usually OK, / Xanax or no. It’s Christmas Eve / in Spain, the important day. We’ll / break Dorota’s wafer. My mood / is less good than yesterday when / I would call it ‘normal’.” A few new poems by Kathryn Maris at 3:AM Magazine.
Staying Sharp
“There tends to be this idea that every piece and every assignment and every gig is always something speaking from the soul. We think that about great writers, that they’re incapable of doing hackwork.” The Rumpus interviewed Michelle Dean about women writers, the research process, and her forthcoming book, Sharp: The Women Who Made an Art of Having an Opinion. Pair with: Dean’s 2016 Year in Reading entry.
“The decline of a language must ultimately have political and economic causes”
In 1946, George Orwell wrote that political prose was formed “to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.”
●
●
Maurice Sendak Dies
The New York Times is reporting that Maurice Sendak has died at 83. In part because I shared a name with its main character, Where the Wild Things Are was a beloved book of mine. Sendak’s last book Bumble-Ardy, full of chaotic drawings of mischievous pigs, is a favorite of 19-month-old son’s. May Sendak’s bountiful imagination and heart live on for many generations in his books.
●
●
A Tale of Two Daredevils
In The Guardian, our own Mark O’Connell reviews TransAtlantic, the new novel by Year in Reading alum Colum McCann. If you’ll recall, we featured the book in our Great 2013 Book Preview.
●
●
Kino
Haruki Murakami, our favorite advice columnist, has a new piece of short fiction in the New Yorker.
The Hand that Feeds Them
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
●
●
They’re Not Rocks
“I have this belief that you have to save at least half of your crucial experiences. The ones that are crystalline. The ones that you always can recall. And you recall that every detail—what actors call a sense impression. You remember how things smelled, what they felt like, how you felt at the moment. You remember every single last part of this episode, or moment in your life.” This interview with Norman Mailer from The Paris Review never actually made it to print, which makes it all the more fascinating.