Tim Parks takes a look at recent literary history and sincerely asks, does money make us write better? Supplementary reading: Nick Ripatrazone’s look into the economy of literary magazines.
Words for Cash
Goodbye To All That
Benjamin Anastas has bid goodbye to the Twitter Village, and he thinks more writers should do the same. “There is a longing built into our online lives that can lead us to healthy attachments with multiple partners, a kind of polyamory of the mind, but it can also encourage the furtive transmission of waxed-chest photos and cock-shots,” he writes. “These are extreme examples of the kind of lonely misfires that Twitter allows, but I felt the temptation to seek comfort from my Twitter feed often enough to realize that it was only a matter of time before I did something embarrassing.”
Applying Emerson to Post-Pandemic Friendships
Nabokov’s Notes
Vladimir Nabokov spent twenty years translating “the first and fundamental Russian novel,” Aleksandr Pushkin’s Eugene Onegin. His battle with the text sparked an intellectual debate with his former friend, Edmund Wilson. The Paris Review has his notes. Pair with our own Lydia Kiesling’s thoughts on Lolita.
All That
Last week, I pointed readers to a speech by the late James Salter, reprinted by The Paris Review Daily in tribute to the writer after his death. For a fan appreciation, you can read Kevin Lincoln in Hazlitt, who leads his piece with the observation that Salter “wrote sentences you could unfold into paper lanterns.” Pair with our own Sonya Chung’s review of Salter’s All That Is.
Raining Poetry
Bostonians, check out this new collaboration between the city and Mass Poetry. They’ve been covering the city’s sidewalks in poetry that you can only see when it rains. If you’re visiting the city, stop at the Old Corner Bookstore for lunch, which is now a Chipotle.
A Zombie Meets a Snake
Recommended Reading: Over at Harper’s, Anne Carson describes what happens when a zombie meets a snake, in her first published short story.