Anatoly Liberman unwinds the etymology of “fart,” a word that, despite seeming modern, was used in the original legend of Thor and has been with us since the birth of the Indo-European ur-language.
What a Gas!
A Toast to the Good Life
Listen to the latest episode of the 2 Dope Queens podcast, in which Year in Reading alum Roxane Gay drops knowledge about how to write a killer memoir.
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Backhanded
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.
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A Hideous Play
“Titus Andronicus is a hideous play…. In other words, it’s one of those tragedies that was just crying out for an illustrated edition.” View Leonard Baskin’s grotesque etchings of Titus Andronicus in The Paris Review.
“The serious critic ultimately loves his subject more than he loves his reader”
Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
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Sentimental Education
Recommended Reading: On sentimentality in literary fiction and commercial novels.
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Paying Hommage
There’s a new literary magazine on the digital shelves. The Neu Jorker is “an hommage d’triomphe” to a magazine with an eerily similar name.