Kurt Anderson on the difference between writing a novel in first and third person voice: “Most third-person narrators are less like omniscient gods than exceedingly snoopy, well-informed ghosts. “
Well-informed ghosts
Bailouts and Bulgakov: On Russian Publishing
Since 2010, Russian publishing professionals estimate that “as many as 20% of [all] Russian book stores have closed.” Each year, they fear, the number of “dedicated readers in Russia declines by 2%.” To remedy these trends, the Russian government has recently approved a $100 million stimulus package for the nation’s book industry – running the gamut from investment in new bookstores, to tax incentives for small presses, and also to more international book fairs – to be dispersed through 2018. Recently, Emily Parker noted in The New York Times that Russia’s literary problems might be blamed on its lack of “good protest literature.”
How Much Does A Writer Make?
How much does a writer make? The Rejecter (“I don't hate you. I just hate your query letter”) breaks it down.
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Let’s Write About Sex Baby
"Her pincers tore at me... I stormed her openings as if she was a beleaguered fortress." We're wincing-slash-laughing at Lapham's Quarterly's infographic of authors' attempts to put sex down on the page throughout history. Pair with author Julia Fierro's great piece about trying to *do it* in her first novel.
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Tuesday New Release Day: Woodson; Korkeakivi; DeWitt; Hertmans; Hemmings; McHugh; McInerney
Out this week: Another Brooklyn by Jacqueline Woodson; Shining Sea by Anne Korkeakivi; White Nights in Split Town City by Annie DeWitt; War and Turpentine by Stefan Hertmans; How to Party with an Infant by Kaui Hart Hemmings; Arrowood by Laura McHugh; and The Glorious Heresies by Lisa McInerney. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Roberto Bolaño in the NYRB Blog
"The books that I remember best are the ones I stole in Mexico City, between the ages of sixteen and nineteen, and the ones I bought in Chile when I was twenty, during the first few months of the coup." The New York Review of Books Blog posts an essay by -- you guessed it -- Roberto Bolaño.
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All Wrong
"After years of reading, teaching, and writing about the book, though, I’ve come to believe that... our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book." Andrew Levy writes for Salon about childhood, race, and "dedicated amnesia" in Mark Twain's controversial classic.
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