Kurt Anderson on the difference between writing a novel in first and third person voice: “Most third-person narrators are less like omniscient gods than exceedingly snoopy, well-informed ghosts. “
Well-informed ghosts
Fake Phone Numbers
Recommended reading: This great flash fiction piece by Ben Miller over at the Tin House Open Bar. If we’re talking “flash fiction,” then we’d better mention this piece from The Millions on Lydia Davis and everyone’s favorite 140-character medium, Twitter.
●
●
No Talking
Writing a sci-fi novel? Need some quick ideas for your fictional hellscape? Then you need Randomized Dystopia, a tool which suggests basic liberties that your imaginary dictators can suppress.
●
●
David Foster Wallace and Mark Costello Talk Hip-Hop
The book David Foster Wallace co-authored with Mark Costello about the pair’s “uncomfortable, somewhat furtive, and distinctively white enthusiasm for a certain music called rap/hip-hop” will be re-released in the US next Tuesday. UK readers look like they’re going to get a reissue of the book on their shelves as well.
●
●
The Best of the Best
Theoretically, it pays to get a novel on Amazon’s best seller list. In reality, though, a bestselling novel doesn’t make as much in cold hard cash as you’d think.
●
●
The “Bad” Author Myth
On the heels of a New Mexico school district banning Neverwhere because a mother considered it “R-rated,” Neil Gaiman delivered a lecture for the Reading Agency about the importance of libraries and reading for children. “It’s tosh. It’s snobbery and it’s foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different,” he said about banning books.
●
●
Angst Extra
Poet Aaron Belz posted the following ad on Craigslist: “Poet available to begin work immediately. Capable in rhyme and meter, fluent in traditional and contemporary forms. Quotidian observations available at standard rate of $15/hour; occasional verse at slightly higher rate of $17/hour. Incomprehensible garbage $25/hour. Angst extra.” It worked. So far he’s written insults and responses to Aubrey Plaza. At The Atlantic, Micah Mattix wonders if this is a new marketing model for artists.
●
●