Kurt Anderson on the difference between writing a novel in first and third person voice: “Most third-person narrators are less like omniscient gods than exceedingly snoopy, well-informed ghosts. “
Well-informed ghosts
“while the pages of Romeo and Juliet have been nearly worn to shreds, King John has been left virtually intact.”
Oxford University’s Bodleian Library is working to make the first edition of Shakespeare’s collected works, published in 1623 and carrying the physical wear and tear of 17th century readers, online for free.
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New Richard Powers Story Available As an eBook
National Book Award-Winning author of The Echo Maker Richard Powers has a new story out, “Genie“, as an ebook original.
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Charles Dickens, True Crime Fan
During a bout of insomnia in 1851, Charles Dickens decided to shadow a new addition to the London police force: detectives.
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Obsessing Over Women
Parul Sehgal cures your “bland biography”-induced malaise by prescribing “three delightfully deranging books” in which writers “riff on the women who’ve consumed them.”
…And If You Still Want More on The Pale King
I can’t recommend John Jeremiah Sullivan‘s 7,000-word article on The Pale King highly enough – not because he gets everything right, but because it’s what long-form writing about books should look like: passionate, lucid, wide-ranging, and awfully fun to read. I salute GQ for running it, and hope to see more literary coverage there in the future.
What Is Grief?
“Is grief a condition of love? Does grief prevent us from making peace within ourselves and with each other?” For the Kenyon Review, Rosebud Ben-Oni writes on grief as waiting. Pair with Lidia Yuknavitch’s Millions essay on grief and art.