Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!
Welcome to the Party, VQR!
People of the Opposite Sex, Am I Right?
The Atlantic has launched a new section — The Sexes — that deals with issues of gender.
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“The chorus needs to be real to make this work.”
Millions staffer Edan Lepucki contributed “Chorus” to Slate‘s Trump Story Project, an ongoing series of short fiction pieces written by contemporary authors.
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Infographic: Shakespeare, Murder, and Pies
This week in book-related infographics: a look at the deaths and murders in Shakespeare‘s works. Our favorite illustration? The pies that once were Chiron and Demetrius (from Titus Andronicus).
Angst Extra
Poet Aaron Belz posted the following ad on Craigslist: “Poet available to begin work immediately. Capable in rhyme and meter, fluent in traditional and contemporary forms. Quotidian observations available at standard rate of $15/hour; occasional verse at slightly higher rate of $17/hour. Incomprehensible garbage $25/hour. Angst extra.” It worked. So far he’s written insults and responses to Aubrey Plaza. At The Atlantic, Micah Mattix wonders if this is a new marketing model for artists.
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The F-Bomb on the Silver Screen
Wikipedia Find of the Week: A list of films that most frequently use the word “fuck.”
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EU Literature Prizewinners Announced
Winners of the EU Prize for Literature were announced at the Frankfurt Book Fair.
Voices in Asian-Anglophone Fiction
This week in the New Yorker Jane Hu analyzes the “dispassionate first-person narrators” prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. “Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian.”
Grateful to have someone paying attention! Thanks so much. :-)