Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!
Welcome to the Party, VQR!
Loyal Opposition
Widely linked to already, but worth reading: James Wood on A.S. Byatt‘s The Children’s Book in the LRB. A mixed review that nonetheless makes me want to read the book is, for me, one mark of a good critic.
Backhanded
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.
“I run around my house with bacon on my head and Sam Tanenhaus is sending me notes.”
Ron Charles, the WaPo’s fiction critic and the witty and winning originator of the “video book review” genre, gets profiled in Publishers Weekly.
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The Complete Vonnegut
“It all adds up to a fascinating portrait-of-the-artist-on-the-make in the booming 1950s. And it makes you wish the stories were better.” Year-in-Reading alum Jess Walter reviews a new (911-page) collection of stories by Kurt Vonnegut. See also: “2 B R 0 2 B”, a “lost” Vonnegut story that first appeared in the sci-fi journal Worlds of If in January 1962.
HomeWORK More Like HomeFUN
“Heidi Maier, the new superintendent of the 42,000-student Marion County public school district in Florida, said in an interview that she made the decision based on solid research about what works best in improving academic achievement in students.” In place of traditional homework, 20,000 elementary school students will spend 20 minutes reading a book of their choice each night, reports The Washington Post. Pair with T.K. Dalton on books, kids, and gender.
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Writing From Beyond the Grave
Do famous authors owe it to the reading public to publish their unfinished works after death? Casey N. Cep traces the contentious history of writers’ estates.
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The Transcriptionist’s Tale
“I usually let the thunderous conclusions of love scenes pass without comment, with the exception of one tussle so histrionic that to deny its participants a [JOINT CLIMAXES] seemed downright petty.” Our own Matt Seidel discusses his work as a freelancer for a captioning and transcription company at The Morning News.
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Grateful to have someone paying attention! Thanks so much. :-)