Want a chance to win $200 and a shot at glory? Consider entering The Coffin Factory’s “Very Short Story Contest.” The deadline is August 15th.
An exhibition of the authorportraits of Swedish artist Carl Köhler, whose extraordinary portraits of artists and intellectuals we’ve displayed here at The Millions, opens in Toronto on January 11th at the Robarts Library of the University of Toronto, 130 St. George St. For more information call 416-971-3131.
A lot has already been said about Nicolas Winding Refn’s newest and arguably most provocative film, Neon Demon. At The Rumpus, Jeffery Edalatpour examines beauty and its extremes, and also asks a couple questions of the director, himself: “Refn has revised the mythology of Aphrodite; she dons as much armor as Athena, enjoying nothing but the hunt. When I asked the director if he could cite any visual influences, his flat affect implied disdain for my simplistic question: ‘I just photograph what I find interesting. I believe that women are more powerful and more interesting than men. It’s just very much what I like to fantasize about.’ Fair enough.”
“The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA.” Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel‘s look at “Working the Double Shift.”
Hannah Withers and Lauren Ross have written about today’s state of publishing for McSweeney’s. Their conclusion? Young people read more than you. According to Laura Goode, though, moms are reading more YA novels than their kids. Either way, everyone can start reading in the bathtub thanks to waterproof paperbacks.