In 1992, William Gibson published Agrippa, a poem coded on a floppy disk such that after one reading it would destroy itself forever. Quinn DuPont, a PhD student studying cryptography, built an emulation of the self-destructing poem and has a challenge to cyberpunks and cryptographers: be the first person to crack the poem’s code and win a copy of every one of Gibson’s books ever published.
"Megan Gething jumped in to action and tied a pair of shorts around her friend’s leg to slow blood loss, using a tip she learned from the young adult science fiction novels." A 12-year-old Massachusetts girl used what she read about creating a tourniquet from The Hunger Games to rescue her friend, reports the AP (via Book Riot). Guess the best YA books really do stick with you.
The 2012 Costa Book Awards (PDF), which recognize books by writers in the UK and Ireland, were awarded yesterday in the Novel, First Novel, Biography, Poetry and Children's Book categories. Interestingly, each category was won by a female author. Three cheers for Hilary Mantel's Bring up the Bodies, Francesa Segal's The Innocents, Mary M. Talbot's Dotter of Her Father's Eyes, Kathleen Jamie's Overhaul, Sally Gardner's Maggot Moon.
One of the titans of Modernist poetry, Hilda Doolittle, or H.D. to her friends, was psychoanalyzed in the 1930s by none other than Sigmund Freud. Her letters to her friends describe the account in great detail, despite explicit instructions from Freud not to speak about their time together with anyone. This essay from The Millions on video games and Freud is a nice complementary piece.
My inner dramatist will have a debut outing at Sweet: Actors Reading Writers, Thurs. 12/2 at 7:30 pm, Three of Cups (First Ave at 5th Street, NYC). Actor Tonya Edmonds will perform an excerpt from my novel-in-progress, Sebastian & Frederick. Other featured writers: Ed Park, Amanda Filipacchi, Jonathan Dixon, Maya Pindyck.
“Echoes are etched into the pages thanks to margin-scrawled notes, a yellowed coffee splatter or sticky peanut-butter-and-jelly fingerprints.” In her project “Expired,” photographer Kerry Mansfield documents the life of library books. We suggest pairing The Guardian's gallery of her photos with our own Jacob Lambert's “Open Letter to the Person Who Wiped Boogers on My Library Book.”
“They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.