Here’s some rare footage of Frida Kahlo and Diego Rivera hanging out with Leon Trotsky and Natalia Sedova in 1938. Here’s an awesome quote from Kahlo: “I drank because I wanted to drown my sorrows, but now the damned things have learned to swim.” And finally, here’s a picture of Frida that’s even more awesome than both of those things.
Tres Fridas para el miércoles
Reality in Fantasy
“When you go to Narnia, your worries come with you. Narnia just becomes the place where you work them out and try to resolve them.” Lev Grossman writes for The Atlantic about The Lion, the Witch and the Wardrobe and why fantasy isn’t escapism. Pair with our own Edan Lepucki‘s review of Grossman’s latest novel, The Magician’s Land.
Up There
Northern England has its own distinct genre of crime fiction, yet it’s never taken off abroad the way its counterparts in Scandinavia and Scotland have. In The Guardian, AK Nawaz wonders why this is, arguing that “there is an argument for a common and marketable ‘Northernness’ – if not an identity, then perhaps a literary state of mind.”
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Tales of a Onetime Construction Worker
Last week, Emily Gould recommended Nell Zink in her Year of Reading piece, extolling Zink’s novel The Wallcreepers as a “funny, profane, [and] deeply weird book.” At The Paris Review Daily, Matthew Jakubowski interviews the author, who talks about living in Germany, reading too much Kafka and writing for Jonathan Franzen.
Chandler’s Poetry
Before cutting his teeth as novelist and screenwriter, Raymond Chandler tried to make it as a poet. Here are some early poems from the author of The Long Goodbye.
Fetishized Frocks
“When she was at Radcliffe, Gertrude Stein always wore black and refused to wear a corset. Samuel Beckett liked Wallabee boots and Aran sweaters and settled on his hairstyle when he was 17.” Proving that author worship is still alive and well, The New York Times reviews a new book called Legendary Authors and the Clothes They Wore. Come for Mark Twain‘s white suit; stay for Zadie Smith‘s head wraps. Semi-related: how clothing makes the (fictional) woman and man.
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