This blog post from the NYT Magazine’s culture editor Adam Sternbergh rounds up some some well known lit lovers’ suggestions for some of those of you looking for some “red hot summer trash” to add to your reading list. Maud Newton and our own Garth Risk Hallberg both recommended Lonesome Dove, so that’s going on my reading list for sure.
“Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. ” In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.
Heading to London in the near future? Stop by the British Library’s new Terror and Wonder, which bills itself as the UK’s biggest Gothic exhibition in history. To whet your appetite, you can read this Guardian piece by Neil Gaiman, in which the Sandman author names Mary Shelley’s Frankenstein the apex of Gothic fiction. Related: our own Hannah Gersen on Frankenstein and the “Year Without a Summer.”
Adam Mansbach’s “viral,” tongue-in-cheek kids’ book for adults, Go the F–k to Sleep is now out. We interviewed Mansbach years ago, pre-frenzy, about other matters. This week also offers up a pair of much anticipated novels for the literary set, The Astral by Kate Christensen (don’t miss Edan’s interview with Christensen today) and The Curfew by Jesse Ball, and a rather specialized tome for fans of literary history, Nom de Plume: A (Secret) History of Pseudonyms.
Stephen J. Gertz shows off some of Bukowski’s artwork; Sketches of F. Scott drawn by Zelda Fitzgerald and a portrait of their relationship by Anne Margaret Daniel; An interview with three of the more than 130 artists involved with The Graphic Canon, a series of illustrated literary classics.
The novel that had Scarlett Johansson filing charges of “fraudulent and illegal exploitation of (her) name” is due out next month in its English-language iteration. The First Thing You See by Grégoire Delacourt is ostensibly about a garage mechanic who ends up falling for a Johansson lookalike. For more on the legality of literature, here’s an essay for The Millions on J.D. Salinger and U.S. copyright.
In his 2001 treatise, Double Fold: Libraries and the Assault on Paper, Nicholson Baker lamented the wholesale transfer of newspaper archives to microfilm and the subsequent destruction of the originals (A recent essay here at The Millions argued that this is still a big problem). But, according to an article in The Missourian newspaper, microfilm may at least be far more permanent than easily corrupted digital archives. As executive editor Tom Warhover notes: “How about those perfectly preserved newspaper pages that have been digitally fossilized? They’re usually stored on hard drives, which can wear out quicker than your grandmother’s underwear.”