“Thus the unfacts, did we possess them, are too imprecisely few to warrant our certitude…”

The New York Times is broadening its book coverage by adding more staffers and launching three new features: a literary advice column, a weekly Q&A about writing processes, and a column looking at “contemporary issues through the lens of recent and historical books.”

True James Joyce fans don’t need to be reminded that today, June 16th, is the 110th Bloomsday–the day of Leopold Bloom’s fictional wanderings-about-Dublin commemorated in the 732 pages of Ulysses. Though the most traditional way to celebrate Bloomsday may be to follow in his literal footsteps with your own tour of the city, as the Paris Review explains, there’s more than one way to prove your love for Joyce even if you never read his book.

Aharon Appelfeld, a prolific Israeli novelist, has won the Independent Prize for international fiction for his latest book, Blooms of Darkness. Check out our guide to this year’s award’s shortlist.

“You have a hard time imagining how the things you’ve experienced or discovered, which seem abjectly personal, could be of use to another writer. You’re aware that you can follow every single rule in the book, and still write a crappy story.” The Preservationist author Justin Kramon grapples with the idea of teaching writing to college students.

Patrick Somerville’s latest novel, This Bright River, was recently reviewed in The New York Times by Janet Maslin, who found the book to be, among other things, “soggy.” Unfortunately, some of her critique was based on a mistaken reading of Somerville’s work. I’ll let Patrick take it from here.