Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
The Unrealist Novel
New Directions Fall Releases
Eight Fall releases are highlighted by New Directions.
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A Culture of Optimism
Reflecting on the sales figures of Lean In and How to Win Friends and Influence People, Sarah L. Corteau wonders: could it be that self-help is America's quintessential genre? (You could also read Alan Levinowitz on the paradox of Christian self-help books.)
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Renata Adler’s Dazzling Hurdles
Gary Indiana posits that “no current literary label appealingly describes the kind of narratives [Renata Adler’s] Speedboat and Pitch Dark are.” This might be true. However in the name of moving forward with discussion, perhaps we can all go with Matthew Spektor’s summation of Adler’s debut novel: “if it’s ‘like’ anything at all, a steeplechase of [dazzling] hurdles could be it.”
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St. Crispin’s Day is Here Again
Today is St. Crispin’s Day, a day immortalized in Shakespeare’s Henry V when the title character rallied his British “band of brothers” to face their French adversaries. And according to Guy Patrick Cunningham, “there are lots of ways we can celebrate it.”
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“A woman’s frantic laughter.”
Recommended Reading: Rion Amilcar Scott’s “Women Who Run With Wolves,” which is a very short but potent piece in the latest issue of Fractured West.
Based on a True Story
Jon Methven (of This Is Your Captain Speaking) has a problem: one of his characters trashed his novel on Amazon.
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Seeing Red
Wouldn't it be nice if your brain just went ahead and created that pesky simile for you? For individuals suffering with synesthesia (a neurological disorder in which one sense is "cross-wired" with another, such as seeing the color red or hearing a sour taste) the brain does just that. Here's a piece from Electric Literature that takes a look at synesthesia, substances, and seeing the world askew.
What a load.