Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
The Unrealist Novel
Adventures in Journalism
Bono and Bob Geldof guest edited Monday's issue of the Globe and Mail newspaper in Toronto.
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Wanna Get Away?
Well, this is gorgeous. Nisa Maier curates a collection of photographs and stories meant to “capture the essence of every country on the planet.” The end result, Let’s Travel Somewhere, can take you from India to Cuba, or from Russia to New Zealand.
Bill Keller wants reporters to report and only report.
The New York Times' executive editor Bill Keller caused an uproar three months ago when he railed against Twitter and, specifically, how it was making us all dumb. (Or, after being challenged, was it for some other reason?) This month, he rails against his staff of reporters because they want to write books.
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Appearing Elsewhere
AWP Attendees: Millions editor and founder C. Max Magee will be on a panel at AWP on Friday. "Ask Not What the Internet Can Do for You: Shifting Our Perspective on Internet Publishing as an Alternative to Major Market Publishing" will discuss electronic publications as central to the needs of 21st-century writers and readers, and not as entities serving as secondary iterations of preexisting publications. The panel is at 3pm in Virginia A Room, Marriott Wardman Park, Lobby Level. See you there!
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While a Fox Was Brown
This interactive guide to the demise (or, rather, the rise) of the passive voice by Vijith Assar at McSweeney’s is every bit as fascinating as it is troubling. This notable piece from The Millions by Fiona Maazel should act as a nice grammatical complement.
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More of the Little Prince
Unpublished pages from Antoine de Saint-Exupery’s The Little Prince have been unearthed, and they contain clues to a political reading of the children's classic.
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Life in the Company of Writers
Arisa Wright hits the nail on the head in this piece for LitHub, titled simply "In Praise of Our Black Women Poets": "Clifton’s remark disabused me of the idea that there is something I must erase to make my poetry universal. She freed my mind and body; she freed my verse."
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