Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
The Unrealist Novel
For What It’s Worth
Oh, good! Here is a list of what everyone is reading instead of your 10-year peer-reviewed study on bee colony collapse and the near end of human existence.
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Remembering Sendak
In remembrance of Maurice Sendak: a look at his life in pictures, a video of Sendak speaking on his 80th birthday, a 2006 profile from The New Yorker, a 2012 interview with Stephen Colbert, an illustrated conversation between Sendak and Art Spiegelman, and a touch of comedy from The Onion.
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Excuse this dust.
Have you been reading Michelle Dean’s Saturday History Lessons over at The Rumpus? This weekend she wrote on Dorothy Parker’s ashes, which are, apparently, in Baltimore. Also, this one, on Flannery O’Connor and her best pen pal Betty Hester, is great.
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The Golden Age of Women Essayists
The essay is more popular than ever. At Salon, Michele Filgate talks to Leslie Jamison (author of The Empathy Exams, here’s our review) and Roxane Gay (author of the forthcoming Bad Feminist) about the power of the genre. Gay believes our interest in essays is because of a “cultural preoccupation with the exposure of the self.” They also discuss if we’re in a golden age of women essayists. “Sometimes when men write about private feeling, it’s seen as exploratory or daring, and when women write about private feeling it’s seen as limited or in the vein of a kind of circumscribed emotional writing,” Jamison says.
Nobel Streak Stays Alive for University Press
Last year we highlighted University of Nebraska Press among other small presses for the keeping in print otherwise little known future Nobel laureates. Today’s honoree Mario Vargas Llosa is quite well-known by comparison, but University of Nebraska Press has nonetheless (barely) run its Nobel streak to three straight years by way of Vargas Llosa’s inclusion in the press’ soccer writing anthology, The Global Game: Writers on Soccer.
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Is Fiction the Art of Living?
From the New York Times archives, a 1984 essay “Is Fiction the Art of Living?” by recently announced Nobel Prize winner Mario Varga Llosa: “In fact, novels do lie – they can’t help doing so – but that’s only one part of the story.”
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Tolstoy in Russia
Last year Russians wrestled over Tolstoy much as they did when he was alive. The New York Times documents Russian statesman Sergei V. Stepashin’s difficult journey to rehabilitate Tolstoy’s reputation.
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What a load.