Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
The Unrealist Novel
Straight out of a movie!
Tim O’Connor’s sweet story of falling in love in the cinema.
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The (Literary and Presidential) Simpsons
On a Venn Diagram, this site would represent the intersection between “The Simpsons” and prominent works of literature. This one would represent the intersection between “The Simpsons” and a former First Lady.
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How Patrick Bateman Stole Christmas
“Have you guessed who I am? Sometimes I think you have.” Is this Dr. Seuss or Bret Easton Ellis? The Awl has a quiz to see whether you can differentiate between sociopaths and the Cat in the Hat.
“Afro Picks” Image & Pun Draws Criticism
The cover image of this week’s Publisher’s Weekly, which centers around an annual feature on African American book publishing, is drawing a lot of attention, mostly negative. Read PW senior news editor Calvin Reid‘s explanation/mea culpa.
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When Five Years Pass
“New houses get built, and new songs are sung … and I am the same, in the same trembling state.” Things are not going very well at the newly built Federico García Lorca center in Granada, Spain. Patience is wearing thin as members of the García Lorca Foundation continue tangling with government officials over control of the center, which is intended to house nearly 20,000 items — manuscripts, drawings, musical compositions and artworks valued at more than 20 million euros.
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It’s Not the Spectacles and Pageantry…
Dan Brown gets D.C. wrong, says Slate. (But isn’t this just another way of saying that it belongs with almost every other narrative, literary or televisual, ever concocted about the Diamond District?)
What a load.