Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
Francine Prose has a new novel out this week, while Elizabeth McCracken has a new story collection on shelves. Also out: Chestnut Street by the late Maeve Binchy; In the Light of What We Know by Zia Haider Rahman; Terms and Conditions by Robert Glancy; The Selected Letters of Elia Kazan; and new paperback editions of The Color Master by Aimee Bender and The Infatuations by Javier Marias.
A while back, I pointed readers to Ayn Rand’s version of Harry Potter and the Half-Blood Prince, helpfully published by The Toast’s Mallory Ortberg. It satisfied those of you who never understood why Harry didn’t slough off his legions of parasitic friends. Now, The Toast brings us the conclusion to the series, in which Harry’s labors bring him the rewards he deserves. Sample quote: “I have earned the Elder Wand through my own achievements.”
Word on the street is that Oprah’s new book club pick will be Say You’re One of Them by Uwem Akpan. So, last chance to get one before the Oprah logo goes on the front. We first wrote about Akpan when he appeared in the 2005 New Yorker debut fiction issue. Say You’re One of Them was also a “Most Anticipated” book in 2008.
Larry Rohter at the New York Times relates the darker, more cynical Mark Twain that has emerged through publication of the first volume of his unexpurgated autobiography, a century after his death: “One thing that gets Mark Twain going is his rage and resentment.”
Haruki Murakami’s love for jazz is no secret – he used to own a jazz bar, he’s written full essay collections on the music, and his books are peppered with references to jazz songs and musicians. How fitting, then, that there’s finally a playlist of jazz songs mentioned in Murakami’s writings. Pair with our many past essays on Murakami.