Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
On Friday, I wrote about the British writer William Boyd, whose new play, Longing, debuted last week at London’s Hampstead Theatre. The play is based on two of Chekhov’s short stories, one of which (according to Boyd’s new article in The Guardian) sheds light on the great author’s love life. Apparently the young Anton had “at least two dozen” affairs.
Following up their publication of Charles Portis’s “Motel Life, Lower Reaches” online, the Oxford American brings us a speech in verse by Jay Jennings, the editor of a recent compilation of Portis’s work (which our own Bill Morris reviewed). Jennings delivered an ode to Portis to mark the author winning the Porter Prize Lifetime Achievement Award. Sample quote: “But you read the next book because the main character was from Little Rock,/and you knew no other book where the main character was from Little Rock/and you wanted to write a book about Little Rock.”
“She gathered books to display for attendees and discovered that inside the cover of one, ‘The Koran for Dummies,’ someone had written “lies cover to cover,” drawn a swastika and made a disparaging remark about the Prophet Muhammad.” The president of the American Library Association reports “startling increases” in 2016 of vandalism, including hateful messages, at libraries. The Association’s Office for Intellectual Freedom has begun formally tracking such incidents to determine whether the increase is “a blip or a trend.”