Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
In 2013, only 93 of 3,200 children’s books were about black characters, according to a new study. “Children of color remain outside the boundaries of imagination,” Christopher Myers writes about the absence. In a follow-up piece, his father and fellow author Walter Dean Myers examines the paralyzing effect under-representation can have on readers. “Books did not become my enemies. They were more like friends with whom I no longer felt comfortable. I stopped reading,” he writes.
The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.
“Welcome to the resistance, bunny.” Currently sold out on Amazon after topping the book charts for days, The New Yorker writes about John Oliver‘s charming children’s book, A Day in the Life of Marlon Bundo. Pair with: an essay about reconnecting with childhood favorites as a parent.
Yoko Ono has permitted the publication of a book of John Lennon’s personal letters “to his friends, family, strangers, newspapers, organizations, lawyers and the laundry.” The Lennon Letters is due out October 2012, and will be edited by Hunter Davies, author of the authorized biography The Beatles.