“The poor boy losing the rich girl is a common theme in Fitzgerald’s work, and the original model was surely his relationship with Ginerva King.” AKA the real Daisy Buchanan, who, might I note, looks nothing at all like Carey Mulligan.
“When it comes to living in a democracy, Nato Thompson argues, nothing affects us more directly and more powerfully than culture. Culture suffuses the world we live in, from TV to music to advertising to sports. And all these things, Thompson writes in his new book, Culture as Weapon, ‘influence our emotions, our actions, and our very understanding of ourselves as citizens.'”
Johnny Depp’s latest film, Black Mass, which casts the star as Whitey Bulger, hit theaters on September 18th. At Publishers Weekly, author T. J. English argues that Where the Bodies Were Buried: Whitey Bulger and the World That Made Him is necessary to the canon of literature on Bulger, even if it’s the 16th book about the mobster.
Rule number one in journalism: Don’t call the person you are interviewing a fucking asshole. James Frey of A Millions Little Pieces discloses what he believes is the future of the written word. (via)
“There is a saying that has become a cliché: ‘Pictures speak louder than words.’ But sometimes, a picture can speak louder than words because it contains a profound silence. It’s what a picture does not say that can often make it loud. What is, after all, a wordless novel but a novel devoted to the message of silence?” On Frans Masereel‘s My Book of Hours, a wordless novel in woodcuts. For another, lighter perspective on the power of picture books, pair with Jacob Lambert‘s “Yet Again, I Ask: Are Picture Books Leading Our Children Astray?“
Congratulations to our own Lydia Kiesling whose essay “Proust’s Arabesk: The Museum of Innocence by Orhan Pamuk” has taken third place in the 3 Quarks Daily 2010 Prize in Arts & Literature as judged by Robert Pinsky.