Tired of reading Mark O’Connell’s articles in silence? Check out his two pieces in The Racket, the first of which features attached audio from the author himself, and the second features an embedded video with Sam Bungey, the publication’s editor. Consider Mark’s reading Exhibit B in the case for Irish Accents Improving Everything, which I brought forth last week.
U.S. publishing house Little, Brown had a rough day in the news yesterday. Its coy marketing tactics have rubbed some booksellers the wrong way, reports Julie Bosman for The New York Times. Later on, The New York Post‘s Keith J. Kelly noted that the publisher has dropped one of its bigger titles. Jason Bennett raises some additional questions.
“History is littered with poets… who set up their own presses to publish their work, because it was so different from the normal forms of the time. Virginia Woolf and her husband Leonard are one example- they started their own press called the Hogarth Press (it is still going today) to publish collections of their work.” Self-publishing is something we’ve written about many times before, but Sarah Gonnet raises a good point – self-publishing isn’t truly a new phenomenon, and it does allow for a great deal of creative freedom.
“Over the years, Gross has done some 13,000 interviews, and the sheer range of people she has spoken to, coupled with her intelligence and empathy, has given her the status of national interviewer. Think of it as a symbolic role, like the poet laureate — someone whose job it is to ask the questions, with a degree of art and honor.” Terry Gross sits down with The New York Times Magazine in honor of her 40th anniversary hosting Fresh Air.
Boris is coming to the big screen. Nina Jacobson, the producer behind The Hunger Games, has acquired the rights to adapt Donna Tartt’s The Goldfinch. Whether it will be a film or TV miniseries is still up for question, but if the actors need any help getting into character, check out our essay on identifying with Theo and learn how to tweet like Boris.