Our heartfelt congratulations to Greg Fawcett, winner of this year’s Ernest Hemingway look-alike contest. He credits his success in the competition with “dedication, timing his haircuts carefully and paying attention to the length of his beard.” Looking good Greg, and all you other Papas in Miami.
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
In 2004, much of the literary world celebrated the hundredth anniversary of Bloomsday, aka the setting of James Joyce’s Ulysses. This year, we’re celebrating the hundredth anniversary of Dubliners, which our own Mark O’Connell once described as “a collection which writers of the short story form seem basically resigned to never surpassing.” At The Paris Review Daily, Skippy Dies author Paul Murray writes about his history with the book. You could also try to pass our eccentric James Joyce quiz.
New this week: Everything I Never Told You by Celeste Ng; Mambo in Chinatown by Jean Kwok; The Appetites of Girls by Pamela Moses; Shrink Thyself by the Letterman staff writer Bill Scheft; The Last Taxi Ride by A.X. Ahmad; and the Cambridge University Press edition of F. Scott Fitzgerald’s Taps at Reveille.