“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”
“I don’t start with disorder; I start with the tradition. If you’re not trained in the tradition, then deconstruction means nothing.” On Derrida, Foucault, and the deconstructionist defense of the canon.
England, as you know if you’ve ever read A Christmas Carol, has a long tradition of telling ghost stories around Christmas. What else could you read besides the Dickens classic to partake? At The Paris Review Daily, Colin Fleming lists a number of candidates, including Smee by A.M. Burrage and The Kit-Bag by Algernon Blackwood. You could also check out our reading list for December.
Sarah Howe’s debut poetry collection, Loop of Jade, has been awarded the T. S. Eliot prize. “Howe’s work – the first debut poetry collection to win the British prize since it was inaugurated in 1993 – triumphed over a particularly strong shortlist, which featured some of poetry’s biggest names, including Don Paterson, Claudia Rankine, Sean O’Brien and Les Murray.” If poetry isn’t for you, try our own Nick Ripatrazone’s ten poems for people who hate poetry.
“A perfect example of what the short story can do when the form is at its best: containing as much of an emotional blow as that of a 800-page novel, regardless of its brevity.” The Guardian awards its 4th Estate BAME short story prize to “Auld Lang Syne” by Lisa Smith. The prize was launched in 2015 in response to a report “which found that black, Asian and minority ethnic (BAME) writers struggled both to get published and against stereotypes imposed by the UK’s overwhelmingly white publishing industry.”