The Gallery of Lost Art is “an online exhibition that tells the stories of artworks that have disappeared,” and my-oh-my is it a doozy of an internet diversion.
“He was a glutton for books who treated each text as a plate he was required to clean.” Author and critic William Gass died this week at 93, reports The Washington Post. The recipient of three National Book Critics Circle awards for criticism and four Pushcart prizes, Gass was awarded the PEN/Nabakov Award for lifetime achievement in 2000. See our reviews of Middle C, a novel that took Gass almost 20 years to finish, and his most recent essay collection Life Sentences, which amply demonstrated his background as “a former philosophy professor, but more appropriately a philosopher of the word and an esthete.” We were also lucky enough to have him pen a Year in Reading entry for us back in 2009: “I miss the leisure that let me read just for fun, not to critique, or pronounce, or even to put on a list, but simply to savor,” Gass lamented. Nonetheless, he continued,“I do, from time to time, pick up old friends who never disappoint but will promise me a page or two of pleasure between art and ordinary life.”
This past Wednesday Tracy K. Smith officially began her term as the new U.S. Poet Laureate. After adding her name to the guest book traditionally signed by poet laureates upon the start of their one year term, she read aloud from previously published poetry collections and introduced new work. Ron Charles from the Washington Post reports "[a]mong her most powerful new pieces were 'found poems' constructed from archival letters that African American veterans sent to President Lincoln asking for pensions they were owed." Smith is the first poet laureate appointed by the new Librarian of Congress, Carla Hayden. Stay tuned for her upcoming efforts to engage rural communities in poetry discussions.
Tom Perotta, author of Little Children and The Leftovers, talks about how he learned to write about ordinary life from Thornton Wilder's play, Our Town. "The tragedy is that, while we’re alive, we don’t view our days in the knowledge that all things must pass. We don’t—we can’t—value our lives, our loved ones, with the urgent knowledge that they’ll one day be gone forever."
New at The Point: an incisive look at Don DeLillo’s Cosmopolis that calls it "the most prescient American novel of the past fifteen years” and asks,"is it possible to mount any meaningful resistance to capitalism on the level of culture?” The latest print issue features this essay as well as a symposium on privacy, and will be launched at a release party in Hyde Park on Saturday night.