The Gallery of Lost Art is “an online exhibition that tells the stories of artworks that have disappeared,” and my-oh-my is it a doozy of an internet diversion.
Out this week: The Wall by H.G. Adler; How to Be Both by Ali Smith; Screenplay by MacDonald Harris; Woman with a Gun by Phillip Margolin; Essays after Eighty by Donald Hall; Selected Letters by Norman Mailer; and Skylight by the late Nobel laureate José Saramago. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
Tony Tulathimutte offers advice on lowering word count: Merge scenes, murder characters, quit writing altogether: “merge scenes, murder characters, ‘start as close to the end as possible’ (Kurt Vonnegut), quit writing altogether.” Pair with this Millions piece on writing slowly and by hand.
New this week: Moonglow by Michael Chabon; I’ll Take You There by Wally Lamb; Morning, Paramin by Derek Walcott and Peter Doig; Selected Poems 1968-2014 by Paul Muldoon; and a new Richard Pevear translation of Alexander Pushkin’s complete prose. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Recent Year in Reading alum Rebecca Makkai writes about the difference between publishing your first book and your second book for Ploughshares. Let’s just say it’s the difference between champagne and “all the whiskey.” Pair with Zhanna Slor‘s Millions interview with Makkai in which they discuss that second book, The Hundred-Year House.