Recommended Reading: Matthew Salesses’ new story in the latest Guernica, “High Schools, or How to Be Asian American.”
Some Wednesday Reading from Mr. Salesses
Are You Ready for Some (Writing About) Football?
A whole heap of talented writers got together for American Short Fiction’s NFL Preview. Of particular note: check out Year in Reading alum Michael Schaub opine on his two great loves: “Texas and crushing disappointment.”
Well-Behaved Women Sometimes Make History
"When the corrective to women’s exclusion from history is to find a few suitable individuals to pluck out of the messy rush of life and achievement, and hold up for admiration, we forget that many of women’s most important historical achievements...have been the product of collaboration, community, and collective action." For Slate, Joanna Scutts writes about recent spate of historical books about rebellious, misbehaved women, and who is left out of those stories. From our archives: a list of vile women in fiction.
Pinup Plath
“Presenting female writers as sexualized and frivolous diminishes their intellectual credentials, tarnishes their work as slight, not to be taken seriously.” The cover of the U.K. edition of The Letters of Sylvia Plath, a new collection of unpublished correspondence by the late author, features her in a bikini because, sexism. Pair with "Sexy Backs and Headless Women: A Book Cover Manifesto."
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Tuesday Means New Releases
Two hotly anticipate works by literary masters hit shelves this week. Both were "most anticipated books." We have The Year of the Flood by Margaret Atwood and Nocturnes by Kazuo Ishiguro. The latter was written about persuasively by Lydia in recent weeks.
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The Teen Whisperer
"When John Green told the crowd that, though he was proud of the movie, it wasn’t his movie, someone shouted, 'But it’s your plot, John!'—which marked the first time I’d ever heard heckling about the nature of authorship." Green, author of YA bestseller The Fault in Our Stars, is the literary hero of teenage girls, and nerdfighter hero to millions. After you read the excellent profile at The New Yorker, consider the The Millions' own review.