At a party thrown by Tom Stoppard in 1972, Kingsley Amis bumped into Roald Dahl, and was encouraged by the Matilda author to write a children’s book in order to make a quick buck. “The little bastards’d swallow it,” Dahl said.
“For the first half of a new book, maybe you want your back against the wall. Gunslinger style. Nothing can sneak up on you except your own bad sentences,” Colson Whitehead said. He and four other authors discussed where they like to write in The New York Times. Bonus: See where our writers work.
“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.
When restauranteur Elaine Kaufman was alive, she gave writers a refuge at her favorite spot, Table 4. Even though the restaurant and Kaufman are long gone, her memory and devotion to writers live on with the Table 4 Writers Foundation. The foundation gives out $2,500 grants to writers at a gala at the New York Athletic Club on March 27. The 2013 winners include, “Bound” by Karen Yin, “Gotham Mexico” by Danny Thiemann, “Kim of Noho” by Kurt Pitzer, “Parkside” by Jennie Yabroff, and “Rent Control” by Matthew Perron. Additionally, several of Elaine’s regulars will be honored, including Mary Higgins Clark, Carol Higgins Clark, Stuart Woods, Chazz Palminteri, and Richard Dreyfuss.