At a party thrown by Tom Stoppard in 1972, Kingsley Amis bumped into Roald Dahl, and was encouraged by the Matilda author to write a children’s book in order to make a quick buck. “The little bastards’d swallow it,” Dahl said.
Buzzfeed interviews Naomi Alderman author of The Power, a 2016 book receiving heightened attention this year for its timely feminist premise. “In the book, women develop the ability to electrocute people at will, and as the dynamic between the genders shifts after centuries of oppression, women (finally) begin to take control back from men.” Why all the newfound attention? Alderman believes that it’s due to the subject matter and it being released in the States. ‘It’s only just been published in America and some American reviewers have responded to it as if it was written in response to Donald Trump, but in fact no, it was written before that. I think some of the things in the world have not changed and that is why you can mistake it for having been written yesterday.’ But she adds: ‘I think actually one thing that has really changed is that women are really fucking angry.'”
The diary novel may be “an under-attended” genre, but Johannah King-Slutzky is trying to remedy that. In an essay for The Hairpin she traces the diary novel’s history from the Victorian era to Go Ask Alice while examining the genre’s balance of “melodrama and awkward moralizing” with the potential for subversion.