A belated “Ramadan kareem” to all of our Muslim readers! If you’re looking for some Ramadan-centric reading, the Poetry Foundation has rounded up a selection of poems, podcasts, articles and blog posts that should do the trick.
“How can we represent four hundred years of American literary history in a way that doesn’t reinforce the unfortunate hierarchies of those four hundred years?” Year in Reading alum Rebecca Makkai writes for Electric Literature about the opening of the new American Writers Museum in Chicago and what it means to curate an historical canon of letters. See also: our interview with Makkai from a couple of years back.
“I’m writing about people. Man involved in the human dilemma, facing the problems bigger than he, whether he licks them or whether they lick him. But man as frail and fragile as he is, yet he will keep on trying to be brave and honest and compassionate, and that, to me, is very fine and very interesting — and that is the reason I think any writer writes.” William Faulkner on why writers write in a rare recording from the University of Virginia, via Brain Pickings.
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky’s eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.
Muna Mire has written an incisive and timely essay for The New Inquiry on the Black Feminist classic Black Macho and the Myth of the Superwoman by Michele Wallace. Coinciding with last month’s reissue of Black Macho by Verso Books, Mire’s essay discusses justified anger rightly-directed and the potential utility of Wallace’s “Black Movement” in the context of today’s racially-charged political climate.