Cool idea from Quarterly: a subscription service “that enables people to receive physical items in the mail from influential contributors of their choice.” I mean, who wouldn’t want some mail from Maud Newton, Jason Kottke, and Maria Popova (Brain Pickings)?
"The story that Lee’s book tells (or tries to tell, because much evidence has been obscured or lost) is not about patience on a monument but about talent buried under a heavy plinth, and discovered only just in time—the late achievement less a measured distillation than a lifesaving decoction." James Wood reviews Hermione Lee's new biography of novelist Penelope Fitzgerald for The New Yorker. Pair with Niamh Ni Mhaoileoin's Millions essay on the new age of biography.
Word is there have been sightings of the book I co-edited The Late American Novel: Writers on the Future of Books in the wild, though it's officially due in March. You can keep up on all the news about the book, including events and links to excerpts on the book's new Facebook page.
Go Jane Give organized the “#Read4Refugees” social media campaign, encouraging users to raise awareness and funds for refugee issues. Over the past month, numerous well-known authors have joined in, including Junot Díaz, Jodi Picoult, Sue Monk Kidd, and Sherman Alexie, among others.
It’s been a year since Nobel laureate and Irish poet Seamus Heaney passed away. His publishers are releasing a final collection of his poetry in November. In The Irish Independent, a brief retrospective on Heaney’s legacy, which includes his wife’s unique way of expressing her gratitude to his friends. You could also read Trent Morris’s tribute to Heaney for The Millions.
Feel like something’s off with a person you follow on Twitter? They could be time travelers from the future. In The Atlantic, Robinson Meyer writes about a new study, conducted by two physicists, that sought to find social media users with an uncanny knowledge of future events. “It’s not crazy, and yet it feels crazy when you think about it,” says The Hidden Reality author and Columbia professor Brian Greene. You could also take a look at our own journey to the early days of literary Twitter.