Cool idea from Quarterly: a subscription service “that enables people to receive physical items in the mail from influential contributors of their choice.” I mean, who wouldn’t want some mail from Maud Newton, Jason Kottke, and Maria Popova (Brain Pickings)?
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
Recommended Reading: Sarah Gerard records her phone calls with inmate Matthew Seger as he tries to find time to write in prison. “I feel like all of these ideas I have will someday, maybe, be of some use. I don’t want to let any of them go.” We interview Matthew Parker, the author of the graphic memoir, Larceny in My Blood: A Memoir of Heroin, Handcuffs, and Higher Education.
Ad-driven e-books may be something we’ll all have to deal with in the future. At the Melville House blog, Dustin Kurtz explains why ads that pop up while a person is reading might well be an inevitable development. (If you’re like me, your reaction to this is simple: ugh.)
The New York Times profiles our best tool in combating asinine email forwards: snopes.com. Use it liberally against all who forward you nonsense masquerading as “news.”