Remember, everybody. Running with the Olympic torch is temporary, but a misspelled tattoo is forever.
Oylmpics: A Cautionary Tale
Passive Voice is for Missing Subject
“I wish all this telling women alcohol is dangerous was a manifestation of a country that loves babies so much it’s all over lead contamination from New Orleans to Baltimore to Flint and the lousy nitrate-contaminated water of Iowa and carcinogenic pesticides and the links between sugary junk food and juvenile diabetes and the need for universal access to healthcare and daycare and good and adequate food. You know it’s not. It’s just about hating on women. Hating on women requires narratives that make men vanish and make women magicians producing babies out of thin air and dissolute habits.” Rebecca Solnit on the passive voice, mysterious pregnancies, disappearing men, and the Center for Disease Control. Pair with this Millions review of Solnit’s book The Faraway Nearby.
Tuesday New Release Day: Frangello; Theroux; Alameddine; Antopol; Minor; Schaffert
New this week: A Life in Men by Gina Frangello; Strange Bodies by Marcel Theroux; An Unnecessary Woman by Rabih Alameddine; The UnAmericans by Molly Antopol; Praying Drunk by Kyle Minor; and The Swan Gondola by Timothy Schaffert.
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On Fear and Dread
Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”
The Profane New Yorker
Earlier this week, The Awl diligently compiled the initial instances of various profanities in the New Yorker over the years. Now those meticulous folks at the New Yorker have offered up a number of corrections, including a visual first.
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The Patriarch
This week, Richard Ford published his first novel in a while to feature Frank Bascombe, the protagonist of his Pulitzer-winning book The Sportswriter. At Salon, our own Lydia Kiesling posits a through-line from Bascombe to a certain TV gangster, arguing that The Sopranos shares its view of manhood with Ford’s novels. You could also read our own Michael Bourne on Ford’s 2012 book, Canada.
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Thee, Compared
Recommended Reading: Adam Bertocci presents alternate forms for Shakespeare’s 18th sonnet.