Everybody should read this great piece on online publishing by Sean Bishop, Better’s founding editor.
On Online Publishing
Take Two
Last week, to mark the release of The First Bad Man, we interviewed Miranda July here at The Millions. In Bookforum, you can read another interview with July, who talks about striving to mimic the feeling of “purposely unfinished work.”
The Politics of Naming
Things you can learn about Teddy Wayne from his essay in the New York Times Book Review: one, his first name is Derek; two, he believes the modern lit world is crazy for guys named Jonathan; and three, he once considered using the pen name D.T. Wayne. (For more, you could go read our interview, or else check out our review of his latest novel.)
Hard Mode
Serious reading is harder than ever. With so many distractions around, it’s incredibly difficult for a novel to keep our attention. In The Nation, Joanna Scott makes a case that careful reading is in danger, and builds a case for preserving difficult fiction. You could also read our own Nick Ripatrazone on trying to teach Thomas Pynchon.
2014’s Best Book Covers
“What is the value of a book cover if fewer and fewer people shop at bookstores?” Nicholas Blechman wonders about the purpose of the book cover at The New York Times Book Review, but he also rounds up some of the best covers of 2014, including the design for Eimear McBride‘s A Girl is A Half-Formed Thing (Millions review here, McBride’s “Year in Reading” here).
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Launching Catapult
Catapult.co, a new literary website and publisher from the founders of Electric Literature and Black Balloon Publishing, has debuted online this week. It features stories by Padgett Powell and Joy Williams, and a remarkable essay about living in New York by Alexander Chee.
newspeak is actualy newtxt
John McWhorter, linguist and author of What Language is (And What it Isn’t and What it Could Be), takes a look at the history of spoken and written language in an effort to understand how text messaging, IMs, and other informal forms of written language impact literacy.
Sporadic Moments of Contact
“I realize that, like most fantasies, reality is likely to be more complicated. For starters, literary communities—like most communities—have echelons. They have cliques; they have ghettos. You are the wrong age, work in the wrong genre, don’t know the right people, don’t teach at the same program … Anyone who thinks this isn’t true is someone squarely at the center of his or her chosen circle.” On peripherality and the uncertain nature of literary community.
I read this post earlier this morning. I admit, I was a little reluctant to accept online journals/publishing a few years ago. I have come to realize, though, that online journals is the way publishing is going, whether some of us like it or not. There are some excellent online journals popping up these days. And, as the article mentions, in these hard economic times, it is preferred.
The note before the post was a little….strange. Ploughshares “unpublished” the essay? Wonder what that was about?