Everybody should read this great piece on online publishing by Sean Bishop, Better’s founding editor.
On Online Publishing
“Change the listeners”
“The problem with our national lit isn’t just that it’s often written from the same voice; it’s written often to the same listeners. But if you changed the listeners, you change the art.” Tobias Carroll interviews Kiese Laymon for Vol. 1 Brooklyn.
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Chronic City, Come Alive
In an interview with Jonathan Lethem, the NBCC’s Jane Ciabaratti offers, inter alia, a sympathetic reading of Chronic City; both have more affection than Kakutani did for what Lethem calls “the claptrap contraption plot I invented.” Meanwhile, The Wall Street Journal, in a flash of inspiration, assigns the book to the estimable Alexander Theroux – the only non-Latin writer who can credibly use the word “prosopographical” in a review. (But, attn editor: “not a jot” twice? in subsequent paragraphs?) A marathon bi-borough reading of the entire novel continues tonight at McNally Jackson.
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The International Literary Film Festival
“The International Literary Film Festival (InLiFiFe) shows films from around the world that are about literature.” The festival will commence in Brooklyn’s Spectacle Theater on Monday, November 14th, at 7:30 pm with Luca Dipierro and Michael Kimball‘s 60 Writers / 60 Places.
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Tuesday New Release Day: Pessl, Shomer, McBride, Keneally, Banville/Black
New this week: The Good Lord Bird by James McBride; Night Film by Marisha Pessl; The Twelve Rooms of the Nile by Enid Shomer; The Daughters of Mars by Thomas Keneally; and Holy Orders, a new Quirke novel by John Banville/Benjamin Black. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
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“The serious critic ultimately loves his subject more than he loves his reader”
Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
Critiques for Charity
We’ve seen a lot of interesting literary fundraisers (and are still a bit in awe of Catstarter) but a recent campaign goes beyond the usual Kickstarter: a group of well-known American writers, from Heather McHugh to Philip Levine to Rebecca Makkai, will be selling manuscript critiques later this month to benefit Caregifted.org.
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I read this post earlier this morning. I admit, I was a little reluctant to accept online journals/publishing a few years ago. I have come to realize, though, that online journals is the way publishing is going, whether some of us like it or not. There are some excellent online journals popping up these days. And, as the article mentions, in these hard economic times, it is preferred.
The note before the post was a little….strange. Ploughshares “unpublished” the essay? Wonder what that was about?