According to a survey published in PLoS One between 1960 and 2008 there has been a steady increase in the use of words and phrases that emphasize self-absorption in books. This leads researchers to conclude that we’re growing more narcissistic.
Shall I compare thee to a wormhole? No, this essay on astrophysics and poetry coupled with a poem for Stephen Hawking is most definitely more lovely. Kalpana Narayanan wrote an essay for The Millions on physics, grief, and Paul Murray's Skippy Dies that may pique your interest.
"Goodreads lets me capture and disperse impressions that occur as I read. I tend to track the sounds I make when reading, the chortles, gasps, growls, and LOLs. I try to figure out why I might not have liked aspects of a book, looking under the hood in a workshoppy way..." Lee Klein offers a defense of Goodreads and good criticism over at Full Stop.
"At home, I dedicate occasional whole days to reading as if I’m a convalescent. The ideal place for this is the bath, where the body floats free," Rachel Kushner told The New York Times in a "By the Book" interview. Yet just because her reading style is leisurely doesn't mean her reading is; she discusses her love of Proust and avoidance of books known for their plots. For more Kushner, read our own interview with her or her 2013 Year in Reading post.
Over at The Guardian, Charlotte Jones takes issue with the recently announced sequel of Pride and Prejudice. The book by Terri Fleming will focus on the life of Mary Bennett, a character who is deliberately neglected by Jane Austen. As Jones puts it, “Lizzie only has space in the book for a remarkable interior life because her sisters do not. Even beautiful Jane is a bit insipid – a fact Austen knowingly plays with, as her eventual engagement to Bingley is briefly threatened by Jane’s reticence.”
"An ideal essay is hard to define, but easy to point to. An ideal essay mines the “I” in efforts of high exposition. It is driven by a need to testify or witness, and demands the same of its reader. It is a glimpse of something uncomfortably recognizable, a requiem for the quotidian, a look over the newly-gilded edge." Samantha Tucker Iacovetto writes about "Defining the Ideal Essay" for Brevity's Nonfiction Blog