“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
Last week, I pointed readers to a Page-Turner essay by Amy Bloom, whose new novel, Lucky Us, came out on Tuesday. Now, as part of the By the Book series in the Times, she talks about her summertime reads, her first picture book and who she’d invite to a literary dinner party. (FYI, we’ve written about the series before.)
Crime novelist Sue Grafton passed away earlier this week from cancer. Lit Hub and Vulture both have touching tributes to her and her detective series starring Kinsey Millhone. "Grafton belonged to a cluster of female authors who viewed the private-detective subgenre, previously dominated by Dashiell Hammett, Raymond Chandler, and Grafton’s own hero, Ross Macdonald, in desperate need of subverting" and "The annual release of her latest Kinsey Millhone novel was, for generations of devotees, one of the year’s premier literary events. " Rest in peace Ms. Grafton.
Alright, time to fess up – who keeps buying all these Mein Kampfs? This piece from The Daily Beast takes a look at Hitler's 800-page tome and questions why people continue to buy it despite the fact that "it might be dull as one of those many lunchtime monologues that bored Frau Goebbels cross-eyed."
Stephen King is working with Dennis Calero to publish a free, weekly eComic entitled "Little Green God of Agony." Readers can check it out on his website. Over at PopMatters, Dominic Umile looks closely at the comic’s emergence, as well as the author’s interest in the horror comics genre.