Eating your manuscript, deliberately slicing open your own head during a reading, titling your work “Baby Fucker.” These stunts are par for the course during the competition for the Ingeborg Bachmann Prize, a prestigious German literary award.
Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”
“The presentation of himself as a damaged outsider, barely holding on, ups the dramatic ante, though it does seem at odds with the accomplished, balanced, commanding prose he appears able to muster with every sentence — not to mention his prestigious awards and teaching stints.” On Charles D’Ambrosio’s Loitering.
In 1998, not long after publishing his first novel, Dan Brown paid a visit to an English class at Phillips Exeter. Among the students in attendance that day was future New Yorker editor Joshua Rothman, whose fragmented recollection of Brown’s appearance turned into an instructive tale about “memory and its tricks.”
Our own Edan Lepucki interviewed National Book Award finalists George Saunders and Rachel Kushner for the National Book Foundation. Saunders discussed money issues in his writing. “Now I feel like paucity vs. grace is one of the great American issues—we all live with it every day.” Kushner explained her writing process. “The sentences are beads on a string; I see each one as essential.”
David Remnick’s biography of President Obama, The Bridge is out. (The Times explained how Remnick finds time to run the New Yorker and write a 700-page biography of a sitting president.) Also new: Another chronicle of the collapse, The End of Wall Street by talented financial journalist Roger Lowenstein; Nobel laureate Jose Saramago’s “blog book” The Notebook; another in the posthumously published oeuvre of Irène Némirovsky, Dimanche and Other Stories; the latest from A.L. Kennedy, What Becomes; and Tom Rachman’s touted debut The Imperfectionists.