Robert A. Caro, who releases new installments of his Lyndon B. Johnson biography at a glacial pace, is apparently also working on another project, too. It’s “not a memoir, exactly,” he says, but it does concern “how he came to write the Johnson biography and its predecessor, The Power Broker.”
“The best critics do more than explain why they liked or didn’t like a book; they try to understand books, and show other readers, by example, how to read and think about those books. Specialized expertise can work in service of that goal, but is probably not as important as a willingness to attempt to be a work’s most thoughtful reader.” Elisa Gabbert writes for Electric Literature about who gets to translate and review works and takes Kazuo Ishiguro‘s latest novel, The Buried Giant (which we reviewed here), as a case study.
Though it’s long been known as the gentleman’s sport, tennis seems to be slipping a little bit in its cultural refinement. Melville House has a blog post on the reading habits of elite players, and they’re spotty at best, though Dostoyevsky, Nietzsche and Camus are all mentioned, as are J.K. Rowling, Tolkien and, simply, “newspapers.”
As if the guy needs any additional distractions to keep him from writing the seventh (or eighth!) books in his Song of Ice and Fire series, George R. R. Martin recently decided to join Twitter. If he ends book six with ¯\_(ツ)_/¯, then I presume you’ll know why.
“Writing is the lonely sport of sad sacks.” The Rumpus interviews Lauren Groff, who’s a bit of a Millions favorite. Here’s her Millions interview and here’s Arcadia as Janet Potter’s Staff Pick this past April. Also, here’s a #LitBeat of a Literary Death Match she competed in earlier this year, in LA.