“Poetry is not connected to my professional work – it is my personal world,” says India’s newly-appointed ambassador to Argentina, Amarendra Khatua. Indeed, Khatua’s but the latest high-profile figure in Indian government to turn to creative writing to seek “emotional refuge” and a means of “battl[ing] workplace blues and the stress of decision making.”
Over at The New Inquiry, Alison Kinney writes on narrative opportunity, the true function of the literary orphan, and the rage of the real orphan. This moving piece by Matthew Salesses for The Millions on adoption and searching for oneself in a strange place is a nice complement.
Like YA novels? Harbor a certain affection for the book publishing arm of McSweeney’s? Then you’re the prime audience for this excerpt of The Mermaid in Chelsea Creek, Michelle Tea’s contribution to the publisher’s new Mullens imprint. (Naturally, it’s the first in a trilogy.)