“Poetry is not connected to my professional work – it is my personal world,” says India’s newly-appointed ambassador to Argentina, Amarendra Khatua. Indeed, Khatua’s but the latest high-profile figure in Indian government to turn to creative writing to seek “emotional refuge” and a means of “battl[ing] workplace blues and the stress of decision making.”
“To me a book is not just a particular file. It’s connected with personhood. Books are really, really hard to write. They represent a kind of a summit of grappling with what one really has to say. And what I’m concerned with is when Silicon Valley looks at books, they often think of them as really differently as just data points that you can mush together. They’re divorcing books from their role in personhood.” Digital pioneer and theorist Jaron Lanier fears that the Internet might be destroying not just literature, but also the middle class.
One of the biggest literary releases of the year is out today, The Marriage Plot by Jeffrey Eugenides. Read the book’s opening here. Another literary heavy hitter out today is The Stranger’s Child by Alan Hollinghurst. One of Albanian writer Ismail Kadare’s masterpieces, The Palace of Dreams, is now back in print in English, and Blake Butler’s memoir Nothing: A Portrait of Insomnia is now on shelves.
New this week: Yannick Murphy’s latest novel The Call is out this week, as is Tom Scocca’s chronicle of expat life, Beijing Welcomes You (Both are written up in our big second-half preview). Also arriving is a new novel from Helen Schulman, This Beautiful Life, and Bed, the debut effort of David Whitehouse, which has already been a (minor) prizewinner in the UK, and which the publisher compares to A Confederacy of Dunces.