Literally crowding the text

One in ten residents of Iceland will publish something in their lifetime. (Compare that to the United States.) And all residents receive the bókatíðindi – a volume listing approximately 90% of all books being published in Iceland – free of charge. Indeed, as Mark Medley notes, when it comes to literary ambitions, the Land of Fire and Ice is “punching above its weight class.”

It’s been a year since Nobel laureate and Irish poet Seamus Heaney passed away. His publishers are releasing a final collection of his poetry in November. In The Irish Independent, a brief retrospective on Heaney’s legacy, which includes his wife’s unique way of expressing her gratitude to his friends. You could also read Trent Morris’s tribute to Heaney for The Millions.

It is a truth universally acknowledged (and recently addressed in Barclay Bram Shoekmaker‘s Millions review of Mo Yan‘s Frog) that literary translation is an imperfect art, and this list of mistranslated “literary moments” only offers more evidence for the claim. But for every serious blunder there’s also a truly ridiculous one (or more). For example, the French translated the title of Animal Farm as Animals Everywhere!, which sounds a lot like a charming children’s book and not at all like Orwell.

New this week: Our Souls at Night by Kent Haruf; Loving Day by Mat Johnson; The Water Knife by Paolo Bacigalupi; The Rocks by Peter Nichols; and The Shore by Sara Taylor. For more on these and other new titles, check out our Great 2015 Book Preview.

Ann Beattie tells the New Yorker how a bumper sticker inspired her short story “Save a Horse, Ride a Cowgirl.” Also check out Alex Dueben’s Millions interview with the author.