Steve Almond treks deeper into familiar territory in the latest issue of The Baffler, wherein the essayist takes on “our lazy embrace of [Jon] Stewart and [Stephen] Colbert,” an undoubtedly strong “testament to our own impoverished comic standards.” Indeed, Almond notes, our satirists and comics today remain “careful never to question the corrupt precepts of the status quo too vigorously.”
Haven’t heard of Heck? You will soon. The new magazine, edited by Jeremy Keith Spencer, boasts an impressive masthead of contributing editors, including Wells Tower, Gideon Lewis-Kraus and Millions contributor Darcey Steinke. You can also help crowdfund the magazine via Indiegogo.
My student and friend Paria Kooklan pens a guest piece at the Vroman’s Blog about the popularity of novels about Iran–and penning her own. “I mean, the American public has a short attention span – Iranians are hot right now, but I can’t help wondering when the trend is going to die out. Next year, there may well be another trendy nationality: Iraqis, maybe. Or Tibetans. Or…I don’t know – the Bhutanese? Anything is possible.”
“I think people always expect artists to have a larger understanding of the issues they write about. People have looked to writers and artists forever and asked them to be cultural commentators or political commentators, which can be very scary because I can only speak to my own perspective, and I’m figuring this out along with everybody else. I’m not even sure I’m the best person to talk about it, whatever it is, but I’m someone who can and does.” Electric Literature talks with Sarah Gerard about her debut novel Binary Star, which we reviewed here.
Every year, like clockwork, a few brave administrators ban a classic book in time for the opprobrium of Banned Books Week. This year, the brave administrators in question work in Randolph County, NC, where Invisible Man by Ralph Ellison will no longer be on the curriculum. Why? Real quote: it’s a “hard read.” (Related: Kelsey McKinney on banning The Bluest Eye.)
“This is the odd space these Theory Generation novels inhabit, making them peculiar novels of ideas. Their writers have read enough Theory at a young enough age to be in continued thrall to its power; they do justice to the disorienting shock those texts once had, and perhaps still have. Yet they are old enough to ironize (tenderly or bitterly) that power.” Are you a member of the theory generation?