Michael Cunningham, who alongside Maureen Corrigan and Susan Larson sat on the jury of the Pulitzer Prize for for fiction, gives the clearest account yet of how the award process works and defends the three shortlisted titles. His letter is in two parts, he also addresses the function of judgment and begins to build a poetics of literary greatness.
Freedom the program might not actually be so freeing: “It has been argued that a chronic fever of distraction and fascination arrives on waves of Wi-Fi to stunt our attention spans, encouraging writers to paddle about, tweeting and liking, instead of striking out for deeper waters…” But maybe writers need distraction, after all. (Then again: a detox might do you good.)
“Her poems shimmer most when they reflect on the yearning to rebel against the constrained space granted to women’s voices in literature and life.” On her 126th birthday, The Guardian argues that Edna St. Vincent Millay‘s poetry — not her reputation — should be remembered and celebrated. Pair with: an essay on being an uneasy, untamed women writer.
“Tracing the journey of a mediocre actor and Holocaust survivor ‘touched by some mysterious higher design’ as he forges and impersonates his way through the war and then back to the city of his birth, the story is part Samuel Beckett and part Isaac Bashevis Singer, with a sudden final bolt of O. Henry. It has the flavour of a morality tale, but what’s most fascinating to me is how difficult it is to derive a moral from it, or rather how easy it is to derive more than one and how openly they stand in conflict with each other.” Kevin Brockmeier extols the fiction of Leandro Sarmatz.
Comic book creator, novelist, screenwriter, journalist, lyricist — is there anything Neil Gaiman hasn’t done? He can add professor to his already impressive resume soon. Gaiman will be joining the Bard College faculty and teaching an advanced fantasy fiction workshop in the 2014 spring semester. Also, he recently spoke to NPR about Sandman.