As part of the River to River Festival, poet Jon Cotner has put together a “floating world,” or a map of Japanese poet Matsuo Bashō’s work transposed onto Rockefeller Park. Each hour, Cotner will lead a tour through the world. This isn’t the first time Cotner’s done something cool like this, either. Check out our dispatch from his “Poem Forest” last year.
In a piece for the Los Angeles Review of Books, Jonathan Farmer responds to the recent pieces in the New York Times that ask poets to debate the question “does poetry matter?” As Farmer points out, ” it’s a bit like asking a bunch of religious figures if religion matters,” but the conversation is worth following and pairs well with our own recent pieces on poetry’s power and popularity.
At The Collagist, Kyle Beachy imagines the emperor Augustus saying to the poet Horace, “You and your kind are fucked!” “The Extent of Our Decline” is one of number of essays appearing in the collection I co-edited, The Late American Novel: Writers on the Future of Books, coming in March from Soft Skull.
Canonical literature isn’t the only way to learn about America. The bestseller list can be equally as telling. Matthew Kahn is reading 100 years of No. 1 bestsellers from 1913 to 2013. He blogs about the books and discusses the project in an interview with Salon’s Laura Miller. When Miller asks what makes a bestseller, he claims, “A lot of it is just a matter of accessibility. A focus on plot and character rather than structure and the prose itself.”