After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.
Yesterday, I wrote that I "[had] yet to read a comprehensive debunking" of B.R. Myers. For those still interested, I've been directed to some candidates: Meghan O'Rourke (2001), Daniel Green (2007), the Washington City Paper (2010, concerning neocon ideology and the shadowy RAND corporation), and part I of Steven Moore's The Novel: An Alternative History.
“Each imaginary book is a demonstration of fiction’s magic, as an author deposits into a fictional world yet another fictional world, like one universe bubbling out of another.” On Borges and other authors’ fictional texts and his library of imaginary books. Jeff Peer introduces us to Borges as a professor in his review of Professor Borges: A Course on English Literature.