Earlier this month, Jack Daniel’s wrote Patrick Wensink a cease-and-desist order because the cover of Wensink’s latest novel, Broken Piano For President, bears a striking resemblance to the whisky’s logo. Surprisingly, instead of some whisky-soaked tirade, the letter is really, really nice.
“If it wasn’t signed by some lawyer, I’d imagine ol’ Gentleman Jack penning it himself, twirling his bushy mustache.”
Caw, Says the Crow
Max Porter’s Grief Is the Thing with Feathers is “the book of the moment,” according to the staff of Houston-based Brazos Bookstore. For other recommended reading, don’t miss our Great Second-Half Book Preview.
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The Treasures of Yale Open Courses
Thanks to the Yale Open Courses program, you can watch all 26 of Amy Hungerford’s lectures on “The American Novel Since 1945.” Also from the program, I highly recommend checking out John Rogers’ series of lectures on John Milton and Paradise Lost, as well as Paul H. Fry’s “Introduction to the Theory of Literature.”
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A New Quarterly Conversation
Another quarter, another Quarterly Conversation. Check out reviews of Kirsty Gunn’s “incantatory prose” in The Big Music, an interview with Lars Iyer, and much more.
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Bent Relics of Adolescence
Don DeLillo has a new short story in The New Yorker, about a teenage boy in the midst of his parents’ divorce. Delillo spoke with Deborah Treisman about the character’s obsession with words and how he sees his identity in light of his parents’.
Bad Memories
How do you write an accurate memoir without perpetuating stereotypes? Jesmyn Ward struggled with this when writing about absent black fathers and husbands in her book Men We Reaped. “I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism,” she told The Rumpus.
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