Tom Murphy, arguably Ireland’s greatest living playwright, joins The Paris Review for an interview about his life, his influences, and his rage.
“I wanted to write about the feeling of life. Not life as an intellectual process, or a concept, but as a feeling.”
To the Arthouse
Back in 2008, Patti Smith kicked off an exhibition with a reading of Virginia Woolf’s The Waves. It may not surprise you to learn that the punk legend, after getting through one sentence, broke into “free improvisation.”
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Not a Soirée
At The Guardian, Susanna Rustin interviews the Irish writer Edna O’Brien, whose new anthology of stories, The Love Object, comes out as an e-book this week. Among other things, she compares a writer who works on a book for only one day a week with a parent who leaves a toddler unsupervised: “You can’t find it again.”
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Activist Art
Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.
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The Summer Rooster Strikes Back
The second annual Rooster Summer Reading Challenge starts next week with two selections for June: Julián Herbert‘s Tomb Song and Tayari Jones‘s An American Marriage. Get yourself ready with an essay about black love stories featuring Jones’ novel.
Reading Roxane Gay
It’s not often that a writer has an essay collection and a debut novel come out in the space of a few months, but that’s exactly the situation of Year in Reading alum Roxane Gay, whose novel An Untamed State and collection Bad Feminist are both getting published this year. At Bookforum, Margaret Weppler reads An Untamed State, which displays, she writes, “a staggering sense of strength, confidence and integrity.”
I’m just gonna go ahead and assume you just don’t consider Martin McDonagh Irish.
Kati, your comment perfectly explains the need for the prescient “arguably” in Matt’s sentence — this coming from a man who laughed so heartily at The Lieutenant of Inishmore that I thought I’d be removed from the theatre.
I would debate the legitimacy of “arguably” in any case other than how you define McDonagh’s nationality. What a pugilistic adverb.