The more you know! In Victorian times, sitting for a photograph could last hours due to primitive camera technology and the need for long, long exposures. This, predictably, didn’t jibe with kids, and so parents had to adopt an ingenious workaround: disguising themselves in the picture so they could physically restrain the youngsters. (Don’t miss Part 2, either.)
Is just me, or has The New Yorker been resurgent the last few weeks? In addition to the David Grann piece mentioned below, we've gotten: Bloomberg, diving, James Wood's most cogent essay to date on atheism and belief, and a F-B-P triple play. (That's Friend to Bilger to Paumgarten, for those keeping score at home.) And I read the fiction for five issues in a row - a personal best. I know they assemble these things far in advance, but it still feels like the Ian Frazier "Siberia" two-parter, eight years in the making, started some kind of conflagration of awesomeness. Thoughts?
The New York Times recommends eight new books it thinks you'll like, including Alan Moore's Jerusalem, which we reviewed last month, and two novels – Jonathan Lethem's A Gambler's Anatomy, and Jade Chang's The Wangs vs. the World – that were on our own most-anticipated October list.
A new Pew Research Center survey finds that the share of Americans who have read a book in the last 12 months – 73% – has remained largely unchanged since 2012. And when people do reach for a book, it is much more likely to be a traditional print book than a digital product. See also our essay on the persistence of physical books and, of course, The Late American Novel: Writers on the Future of Books, edited by our own C. Max Magee.
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)