The more you know! In Victorian times, sitting for a photograph could last hours due to primitive camera technology and the need for long, long exposures. This, predictably, didn’t jibe with kids, and so parents had to adopt an ingenious workaround: disguising themselves in the picture so they could physically restrain the youngsters. (Don’t miss Part 2, either.)
How They Did It Before Sears
40 Years of Terry Gross
“Over the years, Gross has done some 13,000 interviews, and the sheer range of people she has spoken to, coupled with her intelligence and empathy, has given her the status of national interviewer. Think of it as a symbolic role, like the poet laureate — someone whose job it is to ask the questions, with a degree of art and honor.” Terry Gross sits down with The New York Times Magazine in honor of her 40th anniversary hosting Fresh Air.
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Bean Scene
Writers finally have a justification for their $4.00 latte habit. Even though coffee might be a detriment to imagination, the whirring of blenders and cafe chatter can boost creativity. If you want the inspiration jolt without the java, listen to Coffitivity’s recording of cafe ambient noise.
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Tuesday New Release Day: Attenberg; Galassi; Vida; Dave; McManus; Dinerstein; Tremblay; Goolsby; Hughes; Pauls, Parajuly; Charyn
Out this week: Saint Mazie by Jami Attenberg; Muse by Jonathan Galassi; The Diver’s Clothes Lie Empty by Vendela Vida; Eight Hundred Grapes by Laura Dave; The Unfortunates by Sophie McManus; The Sunlit Night by Rebecca Dinerstein; A Head Full of Ghosts by Paul Tremblay; I’d Walk with My Friends If I Could Find Them by Jesse Goolsby; The Loved Ones by Mary-Beth Hughes; A History of Money by Alan Pauls; Land Where I Flee by Prajwal Parajuly; and Bitter Bronx by Jerome Charyn. For more on these and other new titles, check out our Great 2015 Book Preview.
“No real diminishment was possible.”
Clive James gives Pauline Kael a serious critical appreciation in The Atlantic. Last year, The Millions also showed Kael some love, in this review of The Age of Movies.
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Vindicating Wollstonecraft
Mary Wollstonecraft had quite a few things to be angry about. McSweeney’s vindicates her anger. Pair with our own Anne K. Yoder’s piece on finding space to write in a relationship.
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