The more you know! In Victorian times, sitting for a photograph could last hours due to primitive camera technology and the need for long, long exposures. This, predictably, didn’t jibe with kids, and so parents had to adopt an ingenious workaround: disguising themselves in the picture so they could physically restrain the youngsters. (Don’t miss Part 2, either.)
Led by Millions Top Tenner The Hunger Games by Suzanne Collins, dystopia is unseating vampires as the dominant theme in teen fiction, according to The Independent. The paper lists several other examples of the hot new trend, including Plague by Michael Grant and Matched by Ally Condie. (We’d argue that with dystopian classics like 1984 and Lord of the Flies on teen reading lists for decades, this is an old trend that’s new again.)
At Glamour‘s blog, the fashion magazine shot heard round the world: a nude photo of a girl who–gasp!–wears a size 12 and doesn’t have a six-pack. And, she looks happy. Apparently, this is what readers of fashion magazines have been waiting for.
There’s been a lot of talk recently about the possibilities for contemporary war literature, especially in light of the success of Phil Klay‘s Redeployment. Now Flavorwire considers “a crop of fiction that approaches the question of American intelligence, torture, and military intervention slantwise,” particularly Mark Doten’s The Infernal, which was included in our 2015 Book Preview.
NME journalist and Man and Boy author Tony Parsons has been named London’s Heathrow Airport’s second writer in residence. He will use his weeklong stay to research for his new book Departures: Seven Stories from Heathrow. It will be released in October, and the BAA plans on distributing 5,000 copies to airport customers. In 2009, Alain de Botton served as the airport’s first writer in residence, and he used his stint to pen A Week at the Airport.
Sharpen your pencils freelance book reviewers: The Wall Street Journal plans to buck the trend of disappearing book review sections by launching a weekly pull-out. Robert Messenger will edit. The New York Observer takes note of the storylines in play: Rupert Murdoch once again bucking conventional wisdom, The WSJ trying to go head to head with The New York Times in yet another high-profile venue.