Flannery O’Connor: The Cartoons, a collection of one-panel comic prints made by Flannery O’Connor during her time in college, is due out later this week. Meanwhile, Barry Moser exhibits a few of the highlights.
Sasha Dugdale believes that Ted Hughes’s greatest contribution to the world of poetry remains Modern Poetry in Translation, the magazine which got its start thanks to an off-hand suggestion by Hughes at a cocktail party in the mid-sixties. Here’s our review of Jonathan Bate’s recent take on the poet, Ted Hughes: The Unauthorized Life.
The Bygone Bureau’s latest ebook, The Graduates, is intended to be “a response to all of these half-hearted pieces about how screwed Millennials are,” says editor Kevin Nguyen. “It’s true that graduating in 2009 didn’t provide the best job market, but in a lot of ways, those struggles have actually led to more interesting experiences and opportunities. And we wanted to capture that optimism.” You can catch two excerpts from the collection over here and over here.
“In the days after the procedure I was sometimes so exhausted by movement that I would wait patiently for someone to come in and give me a paper cup of pills that was almost, not quite, out of my reach. But somehow, I would always contrive to get my pen in my hand, however far it had rolled… When Virginia Woolf’s doctors forbade her to write, she obeyed them. Which makes me ask, what kind of wuss was Woolf?” Hilary Mantel writes a diary on hospitalization for the London Review of Books.
The coming-of-age novel is a lot older than most of its protagonists. Gabriel Roth and sometime Millions contributor Kristopher Jansma will discuss the history of the genre at 7 p.m. on Monday, October 28 at the Center for Fiction in New York City. You can read Jansma’s past Millions essays on watching The Killing and searching for lost J.D. Salinger stories.