Is this image of John McEnroe a great visual complement to John McWhorter’s review of Ascent of the A-Word: Assholism, the First Sixty Years, or is it the greatest visual complement to John McWhorter’s review of Ascent of the A-Word: Assholism, the First Sixty Years?
Charles Dickens turns 200 in February, which is one good explanation for two new biographies (Charles Dickens: A Life) and (Becoming Dickens) appearing just in time. But even more importantly, why is now the perfect time to read him? Here’s one hint: the man’s vast social imagination.
This week the Paris Review launched a new online series, Big, Bent Ears, a “Serial in Documentary Uncertainty” masterminded by Sam Stephenson and Ivan Weiss. Each installation features “a combination of video, audio, photography, and writing in various arrangements and states of completion,” and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though “the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis.”