Is this image of John McEnroe a great visual complement to John McWhorter’s review of Ascent of the A-Word: Assholism, the First Sixty Years, or is it the greatest visual complement to John McWhorter’s review of Ascent of the A-Word: Assholism, the First Sixty Years?
Leslie Jamison’s new essay collection is getting lots of plaudits, not least here at The Millions, where Ryan Teitman argued that Jamison manages to “meet her subjects in utter intimacy.” At the Tin House blog, Stephen Sparks interviews Jamison, who talks about the book, her “shame-seeking superpower” and her epigraph-cum-tattoo.
Everything you’ve ever wanted to know (but were afraid to ask) about book sales — from what the heck even constitutes a sale, to standard print runs, to author earnings per sale — from Lincoln Michel at Electric Literature.
In the Times, Virginia Heffernan bemoans how technology and the economic struggles of the publishing industry are leading to an increasing number of typos in books. However: “The Pollyannish upside to writerly inattention and cutbacks in publishing, then, is that readers sometimes see more of the human writer, and less buff and polish.”
William Blake may have described its “green and pleasant land” but this week England had traded green for white, as you can see in this NASA photograph (c/o Gizmodo).
Any writer who has felt the sting of rejection—that is, all writers—will be inspired by the story of Dick Wimmer, who has died at the age of 74. Over the course of 25 years, a total of 162 agents and publishers rejected Wimmer’s first novel, Irish Wine, before it was finally published by Mercury House in 1989. The New York Times called it a “taut, finely written, exhaustingly exuberant first novel.” The L.A. Times invoked James Joyce in its review. Wimmer, the iron man of the rejection wars, went on to publish two sequels, Boyne’s Lassie and Hagar’s Dream (All three books are now available in a single volume from Soft Skull.) The moral of Wimmer’s story? Never give up.