No need to bake sugar cookies this holiday season. Try Nietzsche's angel food cake recipe instead. "Allow the angel to reach room temperature. Then kill it," Rebecca Coffey writes the recipe for McSweeney's. You can find more literary cooking tips in Coffey's Nietzsche's Angel Food Cake: And Other Recipes for the Intellectually Famished.
Samantha Chang, the director of Iowa’s Writing Workshop, weighed in on the Girls storyline in which Lena Dunham’s character gets accepted into the school’s MFA program. “It’s very possible that she could have gotten in,” Chang says of Hannah Horvath, Dunham’s character. Meanwhile, University of Iowa officials have apparently denied the HBO show’s request to film on-campus for its next season.
“When you read these books—I suggest perusing them, martini in hand, while your children (or better your friends’ children, for whom you are babysitting) run around shrieking—you’ll see every parenting stance you’ve ever adopted, every parent-story trope you’ve ever told or heard, expressed more perfectly than you ever could have.” Dan Kois on Shirley Jackson’s two memoirs on parenting.
Recommended Reading: The selected letters of William S. Burroughs at The Paris Review Daily. Read his correspondences with family and writers Allen Ginsberg and Norman Mailer. Pair with Jonathan Clarke’s article on why an author’s biography will never be more important than their writing.
Sometimes things get a little kinky at Rock Bottom Remainders shows, the little known rock band with some big members including Amy Tan, Stephen King, and Dave Barry. Tan's signature song is "These Boots are Made for Walking." "For 'Boots' I’m especially gifted. I wield a whip and at the end of the song, I tell the boys to bend over," she told The Daily Beast for a "How I Write" interview.
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. "If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives." On another side of the secrecy spectrum, Emma Straub writes about what it's like to keep a personal secret even as her literary life was booming.