Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
Haruki Murakami: Master of Blandness
Skip The Hangover III. Read A Book Instead.
Sean Manning boldly declares Vegas: A Memoir of a Dark Season — John Gregory Dunne’s first novel — to be “the best book about Sin City ever written.” And yes, he knows what you’re thinking. He really does think it’s better than Fear and Loathing in Las Vegas.
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Remembering Sue Grafton
Crime novelist Sue Grafton passed away earlier this week from cancer. Lit Hub and Vulture both have touching tributes to her and her detective series starring Kinsey Millhone. "Grafton belonged to a cluster of female authors who viewed the private-detective subgenre, previously dominated by Dashiell Hammett, Raymond Chandler, and Grafton’s own hero, Ross Macdonald, in desperate need of subverting" and "The annual release of her latest Kinsey Millhone novel was, for generations of devotees, one of the year’s premier literary events. " Rest in peace Ms. Grafton.
Delicious Reads
Attention Los Angeles-based readers and eaters! On Tuesday evening, June 29, 2010, Michelle Huneven and Samantha Peale will be at Canele in Atwater Village to celebrate the paperback releases of their latest novels (Blame and The American Painter, Emma Dial, respectively.) Food from the books will be served--the 3-course dinner is only $34. Skylight will be selling the books.
A Conversation With Phillip Roth
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Roald Dahl Excerpts on Cereal Boxes
In an attempt to encourage kids to read, Puffin has struck a deal to place Roald Dahl excerpts on the back of at least 10 million cereal boxes in the UK.
Speaking like Shakespeare
"What did Shakespeare’s English sound like to Shakespeare?" A father and son team are working to answer this question, recover Shakespeare's original pronunciation and perform his plays in the new-old style, and lest this sound like a silly exercise in scholarship consider that "two-thirds of Shakespeare’s sonnets.... have rhymes that only work in [Old Pronunciation]."
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