Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
Haruki Murakami: Master of Blandness
Street Smart
Fancy a stroll? Flaneur, a new Berlin-based magazine, profiles one street per issue. It explores the culture, literature, people, and landmarks that make each street unique. The first is Berlin’s Kantstrasse. Pair with: Hyperreal Cartography, a tumblr of “real maps of places that exist but don’t.”
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Here to Stay
Over at Flavorwire, Jonathon Sturgeon responds to Jeff Guo’s recent article on the end of the period. As he puts it, “Any long piece without periods — is like a car without brakes. You can drive it, but you’d rather not.”
Bookstores: Aquatic and Secret
In Karen Russell‘s Swamplandia!, there is an enchanting place known as the abandoned Library Boat. “It held a cargo of books,” Ava Bigtree explains, “In the thirties and forties, Harrel M. Crow, a fisherman and bibliophile, had piloted the schooner around our part of the swamp delivering books to the scattered islanders. Then Harrel M. Crow died and I guess that was it for the door-to-door service. But his Library Boat, miraculously, had survived on the rocky island, unscavenged, undestroyed by hurricanes. It was an open secret, utilized by all our neighbors.” Now something similar has moored in England’s canals. And, across the Atlantic, one New Yorker is keeping his own open secret.
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Prize Stories
For Electric Literature, Kelly Luce shares what she noticed while reading short story submissions for the O. Henry Prize. Pair with Paul Vidich’s Millions piece about the future of the short story.
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Fate and Fiction
Recommended reading: Catherine Lacey writes for Granta about “The Question of Fate” and fiction writing.