Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
When I was young, my mother always told me I should eat my carrots so my vision would improve. For twenty four years, I’ve obeyed. But now it seems I’ve been living a lie all this time. (Bonus carrot link: the most common type used to be purple, but orange was normalized to please the Dutch monarchy.)
“What I didn’t know then was that these decorations evolved from the Jewish menora, the Hebrew festival of lights. I don’t think my mother knew that either, but if she did she never mentioned it. And I certainly never contemplated the resemblance of a sleigh to a cradle. A sleigh is basically a very large cradle.” Mary Ruefle on Christmas trees.
Coming in March: Yet another screen adaption of Charlotte Bronte's Jane Eyre, directed by Cary Fukunaga. This one stars Mia Wasikowska as Jane and Michael Fassbender as Mr. Rochester. The trailer is here. michael kors outlet michael kors outlet online cheap michael kors handbags
Lena Dunham's next book looks to be every bit as divisive as her first. The chapbook, Is It Evil Not To Be Sure?, is a collection of Dunham's college diaries from 2005 to 2006 -- or basically, that recurring nightmare you have that somebody might find and read your journal.
The new issue of The New York Review of Books is out. A highlight, as usual, is Michael Wood, who does a better job than we did with Inherent Vice. But those of us on this side of the pay wall will have to make do with Lorrie Moore's intriguing essay on Clarice Lispector.