Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
Haruki Murakami: Master of Blandness
“Refuge in the bottle and salvation on the page”
Olivia Laing has written an entire book about male writers and their relationships with alcohol, The Trip to Echo Spring, but in a piece for The Guardian she returns to the subject of writers and drink in order to respond to the question, what about women writers? Were any of them alcoholics? "Yes," she writes, "of course." She goes on to discuss the lives and work of Jean Rhys, Marguerite Duras, Elizabeth Bishop and Patricia Highsmith, their reasons for drinking and their experiences in a society much more willing to accept the struggles of men than of women. For more from Laing, be sure to check out her Year in Reading for 2013.
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The sublime everyday
Tom Perotta, author of Little Children and The Leftovers, talks about how he learned to write about ordinary life from Thornton Wilder's play, Our Town. "The tragedy is that, while we’re alive, we don’t view our days in the knowledge that all things must pass. We don’t—we can’t—value our lives, our loved ones, with the urgent knowledge that they’ll one day be gone forever."
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Professor Díaz
Junot Díaz has criticized MFA programs for being "too white." So what's on his syllabi? Salon found the syllabi for the two courses Díaz teaches at MIT. In his fantasy world-building class, students read everyone from Bram Stoker to Octavia Butler. His advanced fiction course includes stories by Edwidge Danticat and Roberto Bolaño. Where can we sign up?
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They’re Out There. (Ellos están ahí fuera.)
“Peru's air force is reopening an office responsible for investigating UFOs due to ‘increased sightings of anomalous aerial phenomena’ in the country's skies.”
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So Oldman, Walken, and Lithgow Walk Onto a Stage…
Here's the perfect example of something you didn’t even know you wanted: Gary Oldman doing a dramatic reading from R. Kelly’s memoir, Soulacoaster: The Diary of Me. This performance will surely join the pantheon of great pop culture readings alongside Christopher Walken’s reading of Lady Gaga’s “Pokerface” and John Lithgow’s reading of Newt Gingrich’s “florid” and “overwritten” press release.
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“Medvedev is Russia’s first genuinely post-Soviet writer”
n+1 posted the introduction Keith Gessen wrote for Kirill Medvedev’s It’s No Good poetry and essay collection, which Gessen translated along with Mark Krotov, Cory Merrill, and Bela Shayevich.
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