Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
Haruki Murakami: Master of Blandness
Writer-Collector
"I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend." Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, "the chaos of memories," and becoming a writer. Pair with David L. Ulin's reflection on Bergman's essay and the way we think about memory, written for the LA Times.
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New Murakami in 2014
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The FTC and Foggy Disclosure Rules
Ed Champion interviews the FTC's Richard Cleland in an effort to bring some clarity to the new FTC disclosure rules targeting "bloggers." If this interview is any indication, the rules are imprecise and based on a false distinction, at best. For what it's worth, I'll happily disclose that we do get sent books for review from publishers, and the ways The Millions makes money are outlined on our (new and improved) Support page.
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