With the help of Johnny Depp, author Douglas Brinkley plans to release Woody Guthrie’s unpublished novel House of Earth next year. Guthrie finished the manuscript—which should yield a finished book about 250-pages long—in 1947, and it concerns a couple from West Texas who fight against banks and lumber companies.
“On the way home, the girl did not notice the color of the sky or the shape of the night, as she was too busy questioning why there were no secrets anymore.” As part of its Recommended Reading series, Electric Literature offers a special seven-part serial by Joe Meno. “Star Witness” tells the story of a young woman in a small southern town who spends the night searching for a missing local girl, and we can’t wait to read the next six installments. Pair with our own Edan Lepucki‘s profile of Meno from a few years back: “[he] seems more than willing to try new things in his work, to stretch his expectations of what he can do as a writer, and what a book can be.”
Sean Manning of the Talking Covers blog spoke with a bunch of authors, editors and artists to take a long, close look at the work of Lorraine Louie, the designer “who came up with the uniform, De Stijl layout” of the inimitable Vintage Contemporaries. And while on the topic of book covers, check out Tammy Fortin’s “New Covers for Old Classics” series she put together for the San Francisco Museum of Modern Art.
The Poetry Archive: “The Poetry Archive is the world’s premier online collection of recordings of poets reading their work. You can enjoy listening here, free of charge, to the voices of contemporary English-language poets and of poets from the past.”A few days ago the New York Times released its usual 100 book “Notable” list, but now we get the really good stuff: the Times top ten of the year. The big surprise: an appearance by Curtis Sittenfeld’s “calm and memorably incisive first novel,” Prep.Scott and Ed and others have already noted this, but I just got around to reading it: the NYRB piece on our latest National Book Award winner, William T. Vollmann.Also noted by many litblogs, the ever-multitasking Bud has launched a sleek litblog network/aggregator/community: MetaxuCafe. Very cool.
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
For The New Yorker Alex Ross describes the role Nebraska’s prairies played in Willa Cather’s writing, his encounters with Cather people, and how he became one himself. “From this roughshod Europe of the mind, Cather also emerged with a complex understanding of American identity. Her symphonic landscapes are inflected with myriad accents, cultures, personal narratives—all stored away in a prodigious memory. “