With the help of Johnny Depp, author Douglas Brinkley plans to release Woody Guthrie’s unpublished novel House of Earth next year. Guthrie finished the manuscript—which should yield a finished book about 250-pages long—in 1947, and it concerns a couple from West Texas who fight against banks and lumber companies.
“Repressed homosexual yearnings certainly would account for some of the more striking of [Franz] Kafka’s darker preoccupations,” writes John Banville in his investigation of the writer’s personal life and psychology.
It’s been seventeen years since Judy Blume published a book for adult readers. Her latest, In the Unlikely Event, brings that streak to an end. In the Times, Caroline Leavitt reviews her new book, which depicts a small town in the fifties reeling in the wake of three consecutive plane crashes. FYI, our own Lydia Kiesling wrote an essay on Blume’s book Forever.
Time for an update on the Bob Dylan-Nobel Prize beat: While Dylan still won’t attend the award ceremony in Stockholm this weekend, he has submitted a speech to be read on his behalf, reports The New York Times. Patti Smith will also be on hand to perform one of Dylan’s songs. We bet Brian Burlage would say that suits him perfectly.
Cormac McCarthy’s written a spec script about “a respected lawyer who thinks he can dip a toe in to the drug business without getting sucked down.” I think we all know where that’s headed.
Bat Segundo bags his biggest fish yet: John UpdikeOn their blog, the Freakonomics guys are looking for poker players to help them with an experiment, but the bigger news is that the post reveals a sequel to the bestseller is in the works.Part one of a interview with book designer Paul Buckley of Penguin Book Group – includes lots of examples of his work.John Batelle doesn’t mind that pirated copies of his book The Search are being sold on the streets of Mumbai.
A few days ago, our own Edan Lepucki talked shop with Millions contributor Ramona Ausubel, whose new collection, A Guide to Being Born, came out last month. Now, at Full-Stop, Emily Oppenheimer reviews the book, which she says refuses to “make use of the obvious perspective.”