Two decades after the release of the first Goosebumps book, Jen Doll checks in with R. L. Stine.
Goosebumps Turns Twenty
Not for Publication
Here’s a fact that’s either very surprising or not surprising at all: Samuel Beckett didn’t want his letters to see the light of day. He once wrote to Barney Rosset that he didn’t care for “the ventilation of private documents.” Despite this disinclination, his third volume of letters comes out this week, and it includes, as detailed by John Banville in a review for The Irish Times, a letter in which Beckett asks that none of his plays be produced in Ireland. Pair with: our own Matt Seidel on Beckett’s “Echo’s Bones.”
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The Destruction of a Ruin
Recommended Reading: Teju Cole meditates on the destruction of the Baalshamin temple in Palmyra, Syria at The New Inquiry. “The destruction of a ruin is like the desecration of a body. It is a vengeance wreaked on the past in order to embitter the future.“
Tuesday New Release Day: Desai, James, Gordon-Levitt, Beach, Mueller
New this week are Anita Desai’s The Artist of Disappearance and P.D. James’ Pride and Prejudice sequel Death Comes to Pemberly. Joseph Gordon-Levitt hangs up his acting duds to put out The Tiny Book of Tiny Stories: Volume 1, and, speaking of tiny stories, there’s Lou Beach’s 420 Characters: “these crystalline miniature stories began as Facebook status updates.” On the nonfiction side, there’s Extra Virginity: The Sublime and Scandalous World of Olive Oil by Tom Mueller.
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As Bad As The Worst
Believe it or not, there may be a connection between Walt Whitman and US drones.
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Book Readin’
A new Pew Research Center survey finds that the share of Americans who have read a book in the last 12 months – 73% – has remained largely unchanged since 2012. And when people do reach for a book, it is much more likely to be a traditional print book than a digital product. See also our essay on the persistence of physical books and, of course, The Late American Novel: Writers on the Future of Books, edited by our own C. Max Magee.