Black Balloon created an “evolving e-book” iPad app for Louise Krug’s new memoir, Louise: Amended, and they’re giving it away for free! Plus, to sweeten the deal even further, emailing a request for the promo code will automatically enter you into a drawing for a $100 Powell’s gift card.
Over at The Review Review, Chuck Augello provides a useful guide for writers trying to determine where they should submit their work. He covers several aspects of the process: Identifying Potential Markets, Circulation, Evaluating the Journal, Evaluation Criteria, and Simultaneous Submissions. None are more important than the last, though: Do the Work.
Last Thursday, Faulkner Literary Rights, the company controlling William Faulkner’s works, proved two things by suing Sony Pictures Classics: 1) that they finally got around to seeing Midnight In Paris (2011); and 2) that they’re not down with Woody Allen’s decision to include two of the Nobel Prize-winning author’s lines in Owen Wilson’s dialogue.
In the early ‘70s, Kurt Vonnegut helped produce a TV adaptation of his work, Between Time and Timbuktu, that aired on the public TV program NET Playhouse. The adaptation brought together elements from several of the author’s most famous works, including Sirens of Titan, Cat’s Cradle and “Harrison Bergeron.” At Black Balloon Publishing’s blog, you can find YouTube clips and links to the printed script. (Related: our own Lydia Kiesling read Vonnegut’s Letters.) (h/t The Rumpus)
“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.