I wonder if this historical look at the crafting of espresso machines in The Smithsonian will make you think, as I did, about how incredibly Steam Punk a good cappuccino can be.
Book to movie news: Soon to hit theaters is a big-screen take on Allen Ginsburg's Howl, focusing on the obscenity trial Ginsberg faced after the publication of the poem and starring James Franco as Ginsberg (alongside Jon Hamm and Jeff Daniels). (The trailer). The film includes an animation of the poem itself by illustrator Eric Drooker. Art from the animation has been collected in a new book under the title Howl: A Graphic Novel.
Throughout the 80s and 90s journalists turned hip hop into a literary movement. Pitchfork dives into that time and explores their legacy and impact on journalism and other literary forms. "Eager to extend the outer boundaries of their creativity, many of these writers would go on to ink novels, memoirs, short stories, scripts, and poetry, much of which stayed true to the language and attitude of hip-hop, as though their words were drafted to the sound of a boom-bap beat. It all added up to a low-key literary movement that writer and activist Kevin Powell has dubbed, 'The Word Movement.'" Includes a great reading list at the end.
The Lives of Others by Neel Mukhergee, which was just shortlisted for the 2014 Booker Prize, will be released in the US at the beginning of October. If you just can't wait another two weeks, an excerpt is now available online. For more about the 2014 Booker Prize, read our coverage of the longlist announcements here.
Over at Public Books, Jared Gardner explores the theme of pain and illness at the heart of many graphic narratives. As he explains it, “Illness, mental and physical, is arguably comics’ invisible master theme, deeply woven into their genome and shaping the stories they tell, from the earliest newspaper strips (chronic allergies in Winsor McCay’s Little Sammy Sneeze) through the rise of superhero comics (from Batman’s PTSD in 1939 through the Fantastic Four’s radiation poisoning in 1961).” Pair with Paul Morton’s Millions piece on the history of Marvel Comics.