Equipment for today’s lunch hour: 1) somewhere sunny and out-of-doors to sit; 2) failing that, a gazebo or other shelter from inclement weather; 3) a printout of Deborah Eisenberg‘s latest short story, from the current NYRB; 4) undivided attention.
As John Steinbeck’s classic Travels With Charley nears the half-century mark, a writer has retraced the author’s cross-country journey and come to the conclusion that the resulting book was full of inaccuracies and outright fabrications. The journalist Bill Steigerwald, whose article appears in the current issue of the libertarian quarterly Reason, says he didn’t set out to trash the Nobel laureate. “As a libertarian, I kind of liked the old guy,” Steigerwald tells the New York Times. “He liked guns; he liked property rights.”
Sam Lipsyte’s new collection The Fun Parts is out this week. Also out are Red Doc> by Anne Carson, Mary Coin by Marisa Silver, How to Get Filthy Rich in Rising Asia by Mohsin Hamid, Jacob’s Folly by Rebecca Miller, The Accursed by Joyce Carol Oates, and The End of the Point by Elizabeth Graver.
Canadian post-rock outfit Godspeed You! Black Emperor will soon release their fourth studio album, ‘Allelujah! Don’t Bend! Ascend!, and it’s definitely worth checking out. You can stream the record over here. The band was also recently interviewed for The Guardian, too, and this entire post should keep you occupied for a while.
“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.