Equipment for today’s lunch hour: 1) somewhere sunny and out-of-doors to sit; 2) failing that, a gazebo or other shelter from inclement weather; 3) a printout of Deborah Eisenberg‘s latest short story, from the current NYRB; 4) undivided attention.
Cross Off and Move On
The Salman Rushdie Channel
Slate's got a video interview with Salman Rushdie in three parts, and his speaking agency has released a rare video from one of Rushdie's previously unrecorded talks, where the man describes writers as much more vulnerable than ideas.
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Illustrating the Cave
TED-Ed illustrates Plato’s allegory of the cave in this fun video.
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Ask Her About Her Uterus
"Too often, a woman’s pain is not merely met with doubt, but suspicion, both within the medical community and outside of it." The New Republic writes about female pain, the medical community, and Abby Norman's book, Ask Me About My Uterus: A Quest to Make Doctors Believe in Women's Pain.
My Favorite Movies, Cheap
This just in: Three of my all-time favorite movies are on sale on Amazon for $6.99: Shaun of the Dead, Dazed and Confused, and The Jerk. There's a bunch of other DVDs on sale too.
Blind Date with Dostoevsky
At the Paris Review Daily, Elif Batuman walks us through part one of her 12-hour blind date with Dostoevsky. (via Book Bench)
Aspen Public Radio’s First Draft Radio Show
Forgive us for being slow on the uptake, Colorado residents, but this is the first I'm hearing of Aspen Public Radio's First Draft radio show, which features interviews with numerous authors of wide acclaim. A casual glance at the show's online archives, for instance, turns up the likes of Paul Harding, Kevin Barry, Laura van den Berg, Edwidge Danticat, and Ben Fountain. (h/t Edan Lepucki)
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The Art of Stealing
Richard Cohen writes about plagiarizing real people’s identities and the dirty side of writing. As Milan Kundera writes in The Art of the Novel, “The novelist destroys the house of his life and uses its stones to build the house of his novel.”
Too Dark for TV
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it's too interior or there's not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don't know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, "Is American Literature Too Dark for TV?"
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