Equipment for today’s lunch hour: 1) somewhere sunny and out-of-doors to sit; 2) failing that, a gazebo or other shelter from inclement weather; 3) a printout of Deborah Eisenberg‘s latest short story, from the current NYRB; 4) undivided attention.
Cross Off and Move On
Seventeen Years Later
“It is a darker book, I don’t deny that, but that’s the story that came to me and wanted to be told.” Seventeen years after Philip Pullman‘s His Dark Materials trilogy ended, the writer is releasing La Belle Sauvage, the first volume of his new trilogy, The Book of Dust. Pullman also said the second volume of the trilogy of already complete, according to The Guardian. Check out our own Janet Potter on grief, books, and His Dark Materials.
2666: The Movie?
JW McCormack has some Notes Toward [A Potential] Film Adaptation of Roberto Bolaño’s 2666 up at The American Reader. As somebody who can’t even fathom making Cormac McCarthy’s decidedly less brutal (although still unimaginably brutal in its own way) Blood Meridian into a film, let me tell you: the idea of turning 2666 into a theater-ready motion picture seems impossible. (P.S. You really should just read both of those books…)
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Occupy History
Recommended reading for history buffs in favor of wealth redistribution: Occupy History.
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Print Culture
“At its core, the New York newspaper strike was a battle over technology. The 1950s and 1960s saw the emergence of computerized typesetting systems that would revolutionize the newspaper composing room…Today, new technology is again shaking American newspapers as the Internet drains away more and more advertising revenue. Cities with dailies may soon face a newspaper blackout much darker than what New York experienced a half-century ago. For a brief period, New York was a laboratory that demonstrated what can happen when newspapers vanish,” writes Scott Sherman at Vanity Fair.
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Dear Matthew Specktor
Thanks to Stephen Elliot‘s Letters in the Mail project, LARB senior editor Matthew Specktor finds himself admiring the gorgeous handwriting of strangers, feeling tickled and gobsmacked, and reflecting on letter writing as something “beautifully useless to do.”
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Dark Investments
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
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