As libraries struggle to survive in the UK, community-based lending libraries are sprouting up to fill in the gaps. The Society of Authors is threatening to take legal action against these libraries after discovering that they are not required to pay any royalties to authors.
"It’s the marriage of one kind of darkness to another... the black storm cloud of Neel’s pen is well suited to Dostoyevsky’s questions of God, reason, and doubt." On Alice Neel's illustrations for The Brothers Karamazov, from The Paris Review. Pair with our own Kevin Hartnett's much lighter take on the novel, "Reading The Brothers Karamazov: Even a Toddler Knows a Funny Name When He Hears One."
Is that a severed prostitute's nipple in my Mozart? At City Journal, Heather MacDonald mourns the rise of slick, irreverent productions of classical operas in Europe known as Regietheater (director's theater), a theory of opera direction that holds the director's take on an opera to be as (0r more) important than the artist's text.
Biographer and novelist Penelope Fitzgerald of the Booker Prized novel Offshore, was born on this day in 1916. Ranked twenty-third on the London Times 2008 list of "Britain's Fifty Greatest Writers Since WWII," Fitzgerald didn't begin her twenty-year writing career until age fifty-eight. Can we say Post-40 Bloomer?
How can we not link to this? Mickey Hess creates a mock-Millions essay in refashioning Cathy Day's essay about "the novel problem" in MFA programs as "The Light-Bulb Filament Problem: 7 Thoughts on Academia’s Sheet Metal Crisis." Clever response to the ongoing MFA debate or just plain silly?