Rachel Syme set out to cover the failure of Dawn Powell’s diaries to sell at auction for the New Yorker and came away with a tender meditation on obsession, New York, and the business of biography.
Albert Uderzo, co-creator of Asterix, announced his retirement yesterday. Since 1977, Uderzo has been the sole author of the popular French comic books, which have sold over 350 million copies worldwide. His successor has yet to be named, though Uderzo said it will be an artist “who has been following us for a long time inside a studio I set up.”
“Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them.” Lidia Yuknavitch, who recently published an essay, “There is No Map for Grief,” in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.
“And so despite my esteem for the high challenge of writing, for the reach of the writerly life, it’s not something anyone actually wants me to do. The American mind has made that very clear, it has said: ‘Be a specialised something — fill your head with the zeitgeist, with the technical — and we’ll write your ticket.’”
Tony Tulathimutte offers advice on lowering word count: Merge scenes, murder characters, quit writing altogether: “merge scenes, murder characters, ‘start as close to the end as possible’ (Kurt Vonnegut), quit writing altogether.” Pair with this Millions piece on writing slowly and by hand.