Rachel Syme set out to cover the failure of Dawn Powell’s diaries to sell at auction for the New Yorker and came away with a tender meditation on obsession, New York, and the business of biography.
a small, diamond-like space
Instapoetry Month
We’re in the thick of National Poetry Month now, and Tweetspeak has a full round-up of ways to participate online. In particular, I think the Virginia Quarterly Review’s “Instapoem” series is especially rad. (Gee, I wonder why.)
“We love sentences and the people who create them.”
Christopher Newgent set up Vouched as a way to reinvigorate the book selling dynamic. By setting up guerrilla book stores and launching his Vouched Presents series, he’s had some success. You can keep tabs on their Twitter account to see when they’ll stop by your area.
The Discreet Charm of the Bourgeoisie
“‘What I want,’ a young Luis Buñuel announced to the audience at an early screening of his first film, Un Chien Andalou (1929), ‘is for you not to like the film … I’d be sorry if it pleased you.’ The film’s opening scene, which culminates in a close-up of a straight-edge razor being drawn through a woman’s eyeball, is often taken as the epitome of cinema’s potential to do violence to its audience…Horror movies frighten us; violent thrillers agitate us; sentimental stories make us cry. Suffering is often part of our enjoyment. Within limits, however: we are not to be so displeased that we are not pleased. Buñuel deliberately went beyond the limits of permissible displeasure. And so, in his own way, does the Austrian filmmaker Michael Haneke.”
Stranger Than Fiction
“Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the ‘domestic’ life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth.” These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?
Tonight on 4th Avenue: Victor LaValle and Robert Lopez
Tonight at the Pacific Standard Fiction Series in Brooklyn, Victor LaValle, author of Big Machine (which, according to Edan boasts “one of the best voices to come out of literature in the last…oh, ever, probably”), will be reading with Robert Lopez, author of Kamby Bolongo Mean River. As usual, I’ll be hosting; it would be great to see you there. For more information, see Time Out New York.
Martin Luther King Jr.’s Occupy Lessons
Does Washington D.C. still have enough revolutionary spirit to drive the Occupy movement to the impossible-to-ignore phase of Resurrection City? Even after Martin Luther King Jr.’s death, his message of economic equality presses on.