Whether you’re a fan of the Boss or not, David Remnick’s recent 17-page look at the life of Bruce Springsteen is a delight to read and a masterful example of the profile piece. Remnik joins Storyboard to talk about the art of the profile.
There is good news for those of us whose dreams of artistic superstardom don't seem to be panning out -- a job listing from McSweeney's seeking failed artists for an associate position. "We would hate for you to be pretentious," the listing states, "but if you don’t regularly call other people pretentious — this might not be the job for you."
Hanya Yanagihara, the author of A Little Life, writes on reenacting a version of John Cheever’s short story “The Swimmer” by swimming across Martha’s Vineyard. As she explains it, “Swimming in the ocean is writing a novel; swimming in a pond is writing in a diary.” Pair with Nick Ripatrazone’s Millions essay on Cheever’s classic story.
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
"I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives." Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.